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The Chair, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Lyndsay Fielding, Lewis Marsh, Mair Terry, Sean Croke, Geraldine Moloney-Judge.

Dystopia is a place often visited in the arts, perhaps never more so than in the theatre. The natural surroundings of the enclosed space, the door to the outside world close at hand but out of reach due to the way that your neighbour next to you will look at you with suspicion and hate filled eyes should you interrupt their train of thought, all combine to make Dystopia more real, more authentic than any other way of getting the flesh to crawl at what just could be if apathy and lethargy allow it take control.

Liverpool Sound And Vision: The Sunday Postscript, An Interview With Queertet’s Kiefer Wesley Williams And Christopher Sutherland.

In a year when the most powerful nation on Earth finally saw sense and changed what it meant to be seen as an equal, Grin Theatre’s Queertet makes its fourth foray into the world of theatre with four new stories that tell of hope, love and even the element of danger at the Unity Theatre over three nights from Wednesday 22nd to Friday 24th July.

Queertet has been described as the jewel in the crown of Grin Theatre’s output, a rare company that talks the talk when it comes to delivering stories of a L.G.B.T. nature and a company that really sings with pride of all it has achieved in the city.

Catching A Cold In St. Malo.

The St. Malo air was crisp on the July morning

that I heard down the crackling line

of the only phone

box in the towering vicinity

that my

Grand Mother had

suffered

a heart attack.

 

I had been walking for weeks, the chance to stop

for a while and take stock,

take the map out of the bag

and contemplate my next move, one that

unlike my time in America,

I was determined

was not going to end in a premature way

Cradle Of Filth, Hammer Of The Witches. Album Review.

Liverpool Sound and Vision Rating 9/10

The pulse of a thousand suns beating in harmony throughout the Universe is a sound denied to Humanity and the deaf ear we place to the reason of existence we ignore for the vast majority of the time. It is a sound that if captured would serve us well to understand that we are not alone but that we are also quite insignificant when it comes to knowing our place in the great cosmic storm.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Donna Lesley Price.

 

Liverpool and the outlaying areas of Merseyside have, like its music, more than its fair share of top quality comedy writers. They range in national stature from the likes of Morecombe and Wise’s third man Eddie Braben and the creator of Bread, Butterflies and The Liver Birds, the sensational Carla Lane to the local and the as of yet undiscovered by the rest of the country but who make the evenings at the theatre a pleasure to be at.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Chris Callander.

The long July Sunday afternoon has stretched open with the sense of the familiar, the dog days of August are beginning to bark and whine with canine excitement in the distance and the taste of the future prosperity of the city has become visible as Fredrick’s on Hope Street opens up its doors and the pavement area of Hope Street becomes the playground for the weary and the traffic dodgers.

On The Subject Of Ageing.

On the subject of ageing,

I fear it’s not for me,

I just like wallowing in memories far too much

to have them snatched or slowly corroded, decayed

or fading into the golden sun-sleight of

half forgotten anecdotes and blistered self-denial

to not remember you, your brushed long hair, and trembling

smooth skin as you leant in for a second kiss,

to ever allow old-age the promise

of victory in wondering

who the women is when I look at a

sepia toned photograph, torn through the middle

Fables: The Dark Ages, Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

The war is over, the enemy vanquished and a new optimism fills the hearts of the populace of Fabletown. Yet something dark lurks in the shadows, something let loose as the Great Adversary wrestles with his freedom within the confines of his new home in New York City. It is a power that sees Bill Willingham’s collection of tales of heroism and valour return with a bang, and the world of the Fables is once more thrown into jeopardy.

Adolf In Toxteth, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 7/10

Cast: Chris Pybus, Eirek Bar, Giulia Rampons, Andrew Wall.

From out of the mist and the warm steam of the train that arrived in Liverpool in 1912 came a shudder, the feeling of a disease walking with the casual air of authority and frightened clash of Time as the supposed six months of Adolf Hitler’s time in Liverpool before World War One bore fruit a hundred years on.

The Oran Project, The Oran Project.

Liverpool Sound and Vision Rating 8.5/10

The once seasoned traveller had no choice but to listen to the sounds that were coming from all around them in which to remember certain events and their feelings and reactions to them if they wanted to put them into the context of a piece of art in which to highlight the gift that nature and humanity provides in serious abundance.

For good or bad its possible now to add your own soundtrack to life, whether on the go about town or making the most of the once in a life time opportunity to see the world for its own dynamic wonder, the ears are attuned to something else rather than the sound from the exterior and artistically it somehow makes life less interesting.