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Lost Soul 2: Smigger’s Wrecked Head, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Jake Abraham, Gemma Brodrick, Lindzi Germain, Catherine Rice, Andrew Schofield, Bobby Schofield, Lenny Wood.

There is a clock that starts ticking in all of us at some point or another, it is inevitable, and it is folly to resist; of course, though it is fun to try. They say that women grow up quicker than men, the responsibility of the world hitting home with such force that the fun that once seemed wicked and alluring, is now but a distant memory, one still remembering the fondness of the late night fondle and chip supper, but now concerned with making sure the family that once played together, stays together.

Chris Rogers, Strange Things Happen. Album Review.

Liverpool Sound and Vision Rating 9/10

Strange Things Happen when we take a chance and listen to another’s point of view, the way we might even be willing to open our minds to a different belief, perhaps even embrace it and spread the word; it is always in the unexpected place and moment when such a revelation can occur, we just have to recognise its significance when it happens.

Vee VV, Payola. Album Review.

Liverpool Sound and Vision Rating * * * *

No human being alive can lay claim to seeing the exact moment in which a star was born, we can imagine the fire, the explosion and the aftermath, but that spark, that singular new cosmic breath in which the bribe of the universe came to into being, no one can truly understand the awe in which such a twinkle of mischief resounds into a crescendo and cacophony of overwhelming universal dominance.

Belinda O’ Hooley, Inversions. Album Review.

Liverpool Sound and Vision Rating * * * * *

Defiance can be viewed as a state of grace in a world that still, for the main, objects to non-conformity, the ability to be other than what a portion of society demands, craves as if hooked on an ideal that does not make sense, that is beyond any reason in today’s society. It is almost as we have clung on to the insanity that pervades the dogmatic Victorian era, a timespan etched into the annals of history, but which was truly a patriarchy hiding in plain sight of imagined petticoats and stern sour-faced mourning.

Sunjay, Devil Came Calling. Album Review.

Liverpool Sound and Vision Rating 9/10

When the Devil Came Calling is when perhaps you should have paid more attention. For some the celestial siren plea is not enough to bring on the sweat of inspiration, it takes a deeper growl in which to stir the human body to find the place where their perception of artistry is at its most beautiful, scintillating and achingly sublime. For Robert Johnson it was the apparent meeting on a crossroads, for many an artist it is perhaps a reflection of what the muse can lead them to in terms of obsession, of the darker side of their personality; sometimes we need to listen to the voice that offers a moment of explosive excellence in return for a little piece of our soul.

Slowness, Berths. Album Review.

Liverpool Sound and Vision Rating * * * *

The release is slow, dreamlike, a vision that unfolds via the slightest of twists to the barrel of the kaleidoscope, the pattern emerging, disappearing, reforming with an innovative subtly. To find such an arrangement is always possible in art, but to come across it, to find the beauty in the female harmony as each note drips with the sentiment of colour, of a psychedelic waterfall crashing onto the rocks below and splintering rainbows decorating the remains, that is the revelation which makes the purpose of life one of a vast array of possibilities which must be grasped.

X Men: Dark Phoenix. Film Review.

Liverpool Sound and Vision Rating * *

Cast: Sophie Turner, James McAvoy, Jennifer Lawrence, Jessica Chastain, Michael Fassbender, Nicholas Hoult, Evan Peters, Alexandra Shipp, Tye Sheridan, Jodi Smit-McPhee, Kota Eberhardt, Andrew Stehlin, Scott Shepherd.

A final offering, one that should have the audience gripped, almost putty like in the hands of the producers, the directors and actors alike, after all an audience will have been waiting for this moment for a period of years, their hopes always on the verge of bursting – then the realisation sets in, the climax that you want is not what the franchise could have been, in that moment the highs and excitement that you once felt, the love and care that you showed, is gone, has departed quicker than an express train hurtling through your local station as you casually ignore the warning about standing close to the yellow line.

We Melt Chocolate. Album Review.

Liverpool Sound and Vision Rating * * * *

The language of romance, it is ultimately one that can send a shiver down the spine and a thrill through the heart is conducted with passion and mystery.

The feeling of being swept of your feet, or even teased like the light touch of a wicked bow on a taut string, is forever hanging in the air and like the operatic gala to which Florence once gave the world, so too does the silver tongued refrain in which the art of the shoe-gazing genre plough its love into the hearts of those who listen intently to the sound provided by a band that can justify pronounce that We Melt Chocolate, and the those who see temptation in this act are not wrong, for the Florence-based band We Melt Chocolate speak the language of enigmatic love.

Lauren Anderson, I Won’t Stay Down. E.P. Review.

Liverpool Sound and Vision Rating 9/10

The empty promise is one that is hard to shake off. The desire in the hero of the story is often tempered by those around them who refuse to see their worth, or worse use them for their own advantage, reneging on assurances, pledges of fidelity scattered to the winds, it can become a dispiriting affair, a knock on effect that falls like dominos, but each one when turned face up revealing the double blank expression that leads ultimately to a dead-end.

The Divine Comedy, Gig Review. HMV, Arndale Centre, Manchester.

Liverpool Sound and Vision Rating 9/10

The temptation of an early afternoon gig is normally the preserve of the festival attendee, the chance to partake in a set of music surrounded by like-minded people as they savour the freedom of the setting and all the attraction of living life in pursuit of happiness rather than the drudgery of a day concerned with the nine to five and the complicated demands of the office and its politics.