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Midsommar. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Florence Pugh, Jack Reynor, William Jackson Harper, Vilhelm Blomgren, Will Poulter, Ellora Torchia, Archie Madekwe, Liv Miones, Anna Astrom, Isabelle Grill, Julia Ragnarsson, Louise Peterhoff, Henrik Norlen, Bjorn Andresen, Gunnel Fred, Austin R. Grant, Anki Larsson, Levente Puczko-Smith, Rebecka Johnston, Johan Matton, Mats Blomgren, Hampus Hallberg, Tove Skeidsvoll, Lars Varinger, Balazs Megveri, Anders Back, Lennart R. Svensson, Katarina Weidhagen, Klaudia Csanvi, Anders Beckman, Agnes Westerlund Rase, Maximilian Slash Marton, Tomas Engstrom, Dora Ferencczi, Dag Andersson.

Back To Life. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Daisy Haggard, Geraldine James, Richard Durden, Liam Williams, Jamie Michie, Adeel Akhtar, Christine Bottomley, Frank Feys, Imogen Gurney, Jo Martin, Souad Feress, Jennifer Tollady, Rhona Cameron, Angus Kennedy, Juliet Cowan, Jade Harrison, Celia Henebury.

It takes a special kind of relationship between a writer and their possible audience to make any connection with comedy work, especially when it is one that is set against the backdrop of murder and the after-effects of the accused being released from prison.

Schattenmann, Epidemie. Album Review.

Liverpool Sound and Vision Rating 8.5/10


We seem to want to play a cosmic game of Truth or Dare with Karma and Fate, with Time. There seems to be a consensus amongst certain groups of people to see how far we can push the Earth past the tipping point, and what does that matter as long as those particular individuals have their own trough lined with gold and the fires always burning.

June 1974, Not A Place For Lovers. Album Review.

Liverpool Sound and Vision Rating * * * *

It is easy to get lost in the lush jungle that a modern symphony can provide, especially when it is one person’s vision that brings it to life. However, the prevailing concertos is such that has the ability to make us feel more than the stirring effects and goose bumps that one might have considered unbeatable over the last few centuries, the immaculate sense of pride that was paraded, marched unhindered from orchestra to the stalls as if attached to nationalist fervour and demand, has now thankfully been replaced by a more subtle, straightforward realisation that pomp and ceremony are figures of a past that has no place when we realise that Earth Is Not A Place For Lovers.

Hegarty, Love Will Find A Way. Single Review.

Liverpool Sound and Vision Rating 8.5/10

Love Will Find A Way, that is what we are taught, that is the hope of the ones who see the promise at the end of romance that such times will be found once more, that love is forever, even if the times and the people involved may change.

There was always a thought that Liverpool’s Hegarty, one of the most enjoyable of bands to have made the last decade their home, might never taste such moments again, that the beauty in their music might never be recaptured, be seen as part of the next decade, life does move on, times change, but as the old saying goes, form may be temporary, but class is forever, permanent and always found to devoted to the creation.

Lonny Ziblat, Dream Hunting. Album Review.

Liverpool Sound and Vision Rating * * * *

You don’t always have to have a plan, there is not always the need to plot and connive your way to producing something that you hope will stir the imagination in others. Invariably the dialect of the Muse is such that we often strain to believe their song, that sometimes the best avenue of pursuit is to let the rabbit trails take you on a journey of surprise and investigation, a system of delivery that is not so much steeped in strategy, but in the belief that Dream Hunting is the place in which visions unfold.

Beth Malcolm, Choose My Company. E.P. Review.

Liverpool Sound and Vision Rating * * * *

We see the Muse as a physical body, imagined perhaps with the ideals we seek out in those that make our hearts quicken, even skip a beat, as they call out like sirens held close between the rocks of sharpened perception, and the rough seas of hope that is always present, but which can turn to despair and take us down to the depths of our soul’s resilience. The Muse is painted as such to appeal, to make us recognise the human value in artistic pursuit, but sometimes it would be worth stepping back and seeing the Muse as something else entirely, as a place rather than a human being.

Eagles, Gig Review. M & S Bank Arena, Liverpool. (2019).

Liverpool Sound and Vision Rating * * * * *

It would have always been at the back of the mind of the Eagles fan, that if they didn’t see them perform in Liverpool on their 2014 tour, it was quite possible they might never see them again. After all the band had not called in to the city for quite some time before that, and with the passing of Glen Frey in 2016, that performance was to be likely the last time in which an audience would see them.

Liverpool Sound And Vision: An Interview With The Herron Brothers.

Of all the emotions that you expect from a song writing duo, perhaps oddly the last thing you expect when being able to interview them is the injection of humour to come across in every answer, one underscored with patience, resolution, resolve and wonderfully created songs. The humour is perhaps more prevalent in those that have spent their whole lives together, the family value they share, the wicked sense of fun they have when together.

Years And Years. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Rory Kinnear, Jessica Hynes, Ruth Madeley, Russell Tovey, Emma Thompson, Maxim Baldry, Anne Reid, T’Nia Miller, Lydia West, Arran Ansari, Jade Alleyne, Dino Fetscher, Sharon Duncan-Brewster, Rachel Logan, Callum Woolford, George Bukhari, Zita Sattar, Kieran O’Brien, Pauline Fleming, Ellie Haddington,  Jodie Prenger, Dan Starkey, John McGrellis.