We Are The In Crowd have announced that they will be releasing album, Weird Kids, on February 17th, 2014 via Hopeless Records. Weird Kids, which is produced by John Feldmann (The Used, Yellowcard, All Time Low, Panic! At The Disco.) This is We Are The In Crowd’s follow-up release to their successful debut album, Best Intentions, which launched the band into worldwide exposure. The band will be releasing the first single off the album with a new music video and launching album pre-orders on December 10th. U.K Tour Dates have also been announced with the group performing at the 02 Academy on Hotham Street on February 3rd.
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Virtually Reality Comes To The Unity Theatre In 2014.
Imagine if no matter how old you got, you never looked a day over 22; if you never got ill and always had the perfect physique without making any effort. For centuries, developments in science and technology seem to have been promising us a better life, with possibilities limited only by what we can imagine. From robot warriors and teleportation devices to human androids and telekinetic communications, Science and Technology strive increasingly to change and advance the world in which we live. As more and more of these developments are realised, we are faced with a whole new set of questions and challenges. There will be changes for the better and, no doubt, some with terrible, unforeseen consequences. What’s more there is no way of knowing which will be which; we are living the experiment…
Boston, Love, Life & Hope. Album Review.
Liverpool Sound and Vision Rating * * * *
Boston never really typified the typical rock and that really is a good thing. The bands that were around them around the same time changed their ways and became less in your face and took on the approach that not every rock track needs to dogmatic, the same tired rhetoric filled with the only ambition being to be louder and brash than everybody else. Boston, or rather Tom Scholz bought a new and exciting feel, one more filled with the love of music and lyrics that play with love as an ideal.
Doctor Who: The Companion Chronicles. The Beginning. Big Finish Audio Drama Review.
Liverpool Sound and Vision Rating * * * *
Cast: Carole Ann Ford, Terry Molloy.
There is nothing like returning to the start of the story to realise just how much has been left unsaid and just how much more is there even before the commencement of the adventure actually began.
Aladdin, Theatre Review. Playhouse Theatre, Liverpool.
Liverpool Sound and Vision Rating * * * * *
Cast: Aretha Ayeh, Marianne Benedict, Carla Freeman, Matthew Ganley, Lindsay Goodhead, Sam Haywood, Adam Keast, Sarah Moss, Griffin Stevens, Francis Tucker.
For Sarah A. Nixon and Mark Chatterton, the writers of the Playhouse Theatre Rock ‘N’ Roll Panto, the subject of Aladdin is one that they have revisited with pride a couple of times but never like this, not with the scale, the almost sense of the wonderful and wonderment all wrapped up in a festive feast that was exactly the production and performance that audiences could have wished for.
Black Star Riders, Gig Review. 02 Academy, Liverpool.
Liverpool Sound and Vision Rating 9/10
Sometimes as an audience member, it only takes the intro music, the sound of footsteps echoing across the floorboards and the flicker and change of light to realise that not only are you in for a gig of high quality but also that you are in the presence of greatness.
The Dead Daisies, Gig Review. 02 Academy, Liverpool.
Liverpool Sound and Vision Rating * * * *
In a world that becomes ever more complex and awash with more art being produced than ever before and from all parts of the globe, it is natural to miss something or someone in which when you do finally catch up with them can either be embarrassment or a blessing. In the case of The Dead Daisies, the performance they gave at the 02 Academy in Liverpool was greeted with an air of enthusiasm that befitted the occasion of main support to Black Star Riders and was firmly in the court of a band that should be appreciated.
Western Sands, Gig Review. 02 Academy, Liverpool.
Liverpool Sound and Vision Rating 7/10
It may always come as a slight surprise that some people are quite willing to part with hard earned cash for a gig and then proceed to miss at least half of it. Of course there is work; that cannot be helped, it is part and parcel of being in the kind of society that we are. Then there may be child care issues to consider. However that surely still leaves a fair percentage, a sizeable chunk of a gig going audience who only ever turn up for the main act and perhaps don’t even want to take the chance on something new. For those that made their way to the o2 Academy in Liverpool in good time to see Western Sands and The Dead Daisies, there was a feeling of overwhelming nodding approval in what they saw.
Ripper Street: A Stronger Loving World. Television Review. B.B.C.
Liverpool Sound and Vision Rating * * * *
Cast: Matthew Macfadyen, Jerome Flynn, Adam Rothenberg, Gillian Sakar, Charlene McKenna, Paul Kaye, MyAnna Buring, Gina Bellman, Justin Avoth, Chris Patrick Simpson, David Wilmot, David Dawson, Damien Molony, Kirsty Oswald, Callum Turner, Liam Burke, Gwynne McElveen.
The writers of Ripper Street have never been afraid to head down the path afforded the rich history of Whitechapel for its inspiration. Whether it is the world of male prostitution, the salaciousness of Molly Houses, the rights of women, the Irish question or the straight poison that stalked the streets of the East End in 1888, there is not a moment in that dark history of Whitechapel that isn’t worth exploring.
Badfinger’s Joey Molland Returns With Brand New Album.
Much to the excitement of music fans worldwide, Joey Molland, best known for his work with the now legendary English band Badfinger, has released his highly anticipated fourth solo album Return To Memphis on U.K.’s Gonzo Multimedi label. The new C.D. features 10 new Molland compositions recorded at the world famous ‘Royal Studios’ in Memphis.