The Crows At The Funeral.

The black tarred hearse arrives at the crematorium,

going no faster that three miles per hour,

it glides to a stop, measured, composed,

running out of steam, the engine making a last growling sound

of torture

as it silently falls asleep.

 

I watch from the shaded part of the graveyard

having taken time out to enjoy

the tranquillity that other people’s passing secures

and in the bright brilliant sunshine, I think of the grandfather

I never had the will to bury as the coffin containing James Collins

is heaved upon the shoulders of men strong and true,

the World Cup lifted with national joy

gaining no more honest respect at that moment

from the strangers marking time,

marking time

marking time,

one foot at a time and with no bells calling the crow like masses.

 

A woman dressed in a pleated black skirt stubs out the cigarette

she has been smoking and with a smile jokes to her friend,

just out of whispered caw ear-shot, “Oh good, he’s finally arrived

and she wipes the residue of ash that stuck

to her fingers on her backside, leaving a grey smudge

on the day.

 

Her friend, anxious it seems, to lift the lid on the day

and make her way to the wake

where her singing would rouse the dead in jive celebration

left behind the funeral service order on the bench,

and like the graves I sat amongst as I waited for the next but one

funeral to appear, was both forgotten,

unkempt, a guarded veil in which we try to never cross between,

the study in black tradition, forsaken,

in the ash bottomed revellers and the Karaoke serenade

of his favourite song

in which he proclaimed to have done it his way…

as long as his widow allowed him to.

 

From up the hill, the sight of a young woman hurrying,

the pram with infant spoil

almost running away from her, totters down the lane,

her hair running in the grip

of the spectre at the feast

and I hoped somewhere deep down inside

and perhaps with a smile and tempting laugh,

that in his final moments, that this future resident in seventy years

was the child of the man going into have songs made well,

for wouldn’t that have been the best way

to bow out of this Earth.

 

Ian D. Hall 2015