Tag Archives: Oliver Farnworth

The Girl On The Train, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Samantha Womack, Oliver Farnworth, John Dougall, Naeem Hayat, Adam Jackson-Smith, Lowenna Melrose, Kirsty Oswald, Matt Concannon, Phillipa Flynn.

Physical human manipulation and ease in which we can find ourselves drowning in a sea of guided abuse never makes for an easy bedfellow in which to immerse yourself in. From the outside looking in you can see all the traits, the subtle digs at the way someone controls another person, influences others to see the worst in that person, and yet when you are the one being expertly handled, all you see is the relief that addiction of any type can bring, that it is no longer your fault.

Endeavour: Confection. Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Shaun Evans, Roger Allam, Sean Rigby, James Bradshaw, Anton Lesser, Simon Harrison, Joe Bone, Oliver Farnworth, Christopher Harper, Sophie Stanton, Olivia Chenery, Ben Lamb, Katie Goldfinch, Claudia Jolly, Jack Hawkins, Richard Riddell, Abigail Thaw, Christopher Bowen, Carol Royle, Tilly Blackwood, Caroline O’ Neill.

Down The Dock Road, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Derek Barr, Les Dennis, Paul Duckworth, James Duke, Oliver Farnworth, Michael Ledwich, Nathan McMullen, Conrad Nelson, Andrew Schofield, Daniel Taylor.

If there is an occupation that typifies the city of Liverpool, which the British public think of first when asked what job symbolises the city that gave The Beatles to the world, then surely without doubt the job of the Stevedore or the Dock worker would come out on top.

Kes, Theatre Review. Liverpool Playhouse Theatre.

Originally published by L.S. Media. September 23rd 2009.

Cast: Mike Burnside, Stefan Butler, Daniel Casey, David Crellin, Katherine Dowblyton, Oliver Farnworth, Dominic Gately, Peter McGovern, Oliver Watton.

The film is considered to be a cinematic classic, gritty in its honesty; heartbreaking and heart warming at the same time. One of the true greats and one of Ken Loach’s finest moments. It would therefore be near on impossible for anybody to transfer it to the stage, but in the writer Lawrence Till, all the sadness, tinges of humour and the bleak future is stripped bare and in its place is nothing short of theatrical genius.