Tag Archives: Spencer Treat Clark

Salem’s Lot (2024). Film Review.

Liverpool Sound and Vision Rating 7/10

Cast: Lewis Pullman, Mackenzie Leigh, Jordan Preston Carter, Alfre Woodard, Bill Camp, John Benjamin Hickey, Nicholas Crovetti, Spencer Treat Clark, Pilou Asbæk, Alexander Ward, Danielle Perry, Debra Christofferson, William Sadler, Timothy John Smith, Mike Kaz, Cade Woodward, Joseph Marrella, Declan Lemerande, Oliver Dauberman, Rebecca Gibel, James Milord, Fedna Jacquet, Marilyn Busch, Michelle Steven Costello, Avery Bederman, Derek Mears, Jim Patton, Kellan Rhude, Sage Rudnick, Anna Rizzo, Celeste Oliva, Fred Robbins.

Glass. Film Review.

 Liverpool Sound and Vision Rating 7/10

Cast: Samuel L. Jackson, Bruce Willis, James McAvoy, Sarah Poulson, Anya Taylor-Joy, Spencer Treat Clark, Luke Kirby, Marissa Brown, Charlayne Woodard, Adam David Thompson, M Night Shyamalan.

The art of the film maker comes with the unexpected sense of the sleight of hand, the appearance out of nowhere which justifies the movie as one that was always ready to be defined by what follows it, a story which the audience has no idea is part of a greater tale, one in which the director and writer might not have realised they themselves had no idea they were be guided by outside forces to make.

Much Ado About Nothing, Film Review. FACT Cinema.

Liverpool Sound and Vision Rating * * * *

Cast: Alex Denisof, Amy Acker, Nathan Fillion, Clark Gregg, Reed Diamond, Fran Kranz, Jillian Morgese, Sean Maher, Spencer Treat Clark, Riki Lindhome, Ashley Johnson, Emma Bates, Tom Lenk, Nick Kocher, Joshua Zar, Paul Meston, Romy Rosemont, Elsa Guillet-Chapuis.

Quite simply, every actor and director really wants to get their hands on big budget version of one of William Shakespeare’s works. The doom laden chorus who persistently suggest that the man, who along with William Tyndale can be seen as one of the fathers of modern English, is not hip, not important enough to young cinema goers and that the language leaves people cold, could do worse than actually attend the screening of Much Ado About Nothing as it revels in the language, makes it completely accessible and performs superbly.