Tag Archives: poetry from Liverpool

Fearing.

I am afraid,

not of life or of opening

myself up, perhaps even to ridicule,

God knows I’ve experienced

enough of that, more than I care for,

probably less than I deserve;

I’m not scared of that for

if you’re not terrified of death

how can you truly feel alive?

 

I am troubled,

by all that I am,

the insanity in the letters,

the voices whispering gently

that this word not that word,

not any word

but them all, is to be captured,

I Trust In My Eyes.

I trust my eyes as much

as I trust my soul

and I will trust my soul

until the end; I will trust

it, for whilst it may lead

me astray from time to time,

it will not do it with malice

or feverish gold digging intent.

 

My eyes may be failing,

however I see the feminine in you,

the beauty of compassion,

of searching for the answer

in a realm which once you despised

and acted the Tomboy

for the boys to admire,

A Single File Tango (In The Fog).

The thousand cast iron lamps

sets the scene in a Sunset Boulevard way

and the silhouette of a hundred dancers,

their skirts flying, lifted

by the whispering fog,

their hair tied back and tempting the trilby

they wear, the adjustment and nod

to femininity only seen as the

plucked flower, dead soon,

dipped in gold leaf, sits proudly, stuck fast

by a silver pin through its heart,

erect and glowing in the dampness

of the drooping Boulevard air.

 

The hero shakes in the clammy mist

Fill The Night.

I fill up the day so I don’t have to think

about anything but words

that appear one keystroke

at a time, but even that somehow falls

into disgrace when I consider the art

of the typewriter,

the quill with fading ink

or the press on its first run,

for all right minded people

to take solace in;

I cannot offer anything new

for by filling up the day,

by refusing to live in my head

with its stark boundaries

and all too clear regrets,

Isn’t It Perfect.

I break sweat, not for the first time

as I bang my head against thick,

blackened and bloodied bars

that hold me back,

that resist my shakedown

as they rattle in the dirt

and concrete, small creatures scuttle

around my toes, feeling the chill,

feeling the draining perspiration

that runs down from the small

of my back

and I sweat and I howl

against the only light

in the bludgeoning room,

my tomb self made,

one exit,

no idea how I found myself here

In The Hands Of Lunatics.

I fear for your soul, as you lurch

and stumble, in the manner of

Frankenstein’s Monster, stitched together

with bloated handcrafted hate

and led by money through the nose,

led by old school isolationism,

led by ignorance

and greed, the I want led by the I have…

I fear for your soul.

 

I fear for your heart, the once at least

caring side displayed by a Camelot King,

a chair-bound, three times anointed knight

and the fun loving Sax man,

all had their breakages, their misfortunes

A Whisper Of Love On The Road.

I hear your voice in the darkness

and it reminds me of cold autumn rain

as I hitchhiked north

and saw the white threat of

angry spellbound snow

on the distant

Canadian mountain range

and I find myself crying

for the memories

your words placed in me,

as I once became the new kid in

the small Oxfordshire town,

as I was the new kid

on the highway finding temptation,

and the glory of a lift with a beautiful woman.

 

It is the gentle sweep, brush like,

A Shadow Of The Night.

It’s hard being a shadow,

especially though I tell myself

I’m not an illusion,

that the ghost in me

that is ignored,

that is playfully abandoned

from time to time

exists and feels pain like a Winter’s breath

on a fading scar,

rising with pinched assault

and damnation in the dead

of lost cause night…

I am not an illusion,

a conjured trick of morphine,

a dream,

a nightmare that an addict once had

in bleak black and white stereotype,

the noir in the film…

Nile Stone.

The small stone,

misshapen by history

and the waves that lap at the Gods

smoking tobacco

as they hold back the Nile,

sits perfectly still

on the edge of my wooden desk

now

only serves to remind me that the world

is forever calling out to be explored

and whilst I have forever stained

its appearance in indelible ink

with the date of its discovery

and the place on the Nile

in which countless eyes

ignored its white dimpled shell,

The Pounding Beat Of Buddy Rich.

The dragon in my skull

is breathing too hard

and making my eyesight

blur, seem distant and the claw

from the left foot is tapping out

Jazz moves in time to Beiderbecke

as the heat from its nostril

clouds over my right eye,

steam punk future,

one electronic eye patch

covered in soot and dragon grime, as Buddy Rich

smashes out hits

against my temple

the headache in perfect drum beast time.

 

The right eye,

never the same since the day