Liverpool Sound and Vision Rating 8.5/10
Cast: Neil Dudgeon, Fiona Dolman, Nick Hendrix, Anthony Calf, Hugh Dennis, Raj Awasti, Caroline Blakiston, David Burke, Christopher Colquhoun, Michael Haydon, Pippa Haywood, Matt Houghton, Seeta Indrani, William Melling, Sally Philips, Catherine Steadman, Edwin Thomas, Manjinder Virk, Jo Wheatley, Angus Wright.
The past is so much harder to leave behind when the ghosts won’t stay dead.
Liverpool Sound and Vision Rating 8.5/10
Cast: Anna Friel, Ray Panthaki, Nina Sosanya, Nicholas Pinnock, Charlie Covell, Sinéad Cusack, Jack Doolan, Harry Lloyd, Tobias Santelmann, Jamie Bamber, Patrick Baladi, Ben Cura, Ian Puleston-Davies, Emil Hostina, Susannah Wise, Imogen Fairies, Laura Carmichael, Stephen Lord, Yasen Atour, Jasmine Breinburg, Florence Pugh, Nick Hendrix, George Barnes, Andrew Lancel, Maeve Dermody.
The art of the Noir is to keep the viewer or reader guessing long enough that they doubt their own verdict, their own deductive reasoning and to question further their own possible prejudices of one suspect or another. It is an art fully utilised by the writers of the series Marcella and one that really got under the skin as each episode progressed.
Liverpool Sound and Vision Rating 9/10
Cast: Anthony Howell, Julian Wadham, Lucy Briggs-Owen, Geff Francis, Maggie Service, Derek Ezenagu, Robert Duncan, Jacqueline Boatswain, Geoffrey Breton, Jessica Martin, Nick Hendrix, Mark Goldthorp, Nicholas Briggs, Angus Wright.
The art of political assassination is one that still holds the weight of intrigue in the modern world, perhaps more so than at any point since the 1960s and the deaths of two of the Kennedy brothers, Malcolm X, Dr. Martin Luther King and countless others hit the headlines and stunned the world over.
Liverpool Sound and Vision Rating 7.5/10
Cast: Anthony Howell, Julian Wadham, Dan Starkey, Miranda Raison, Peter Barrett, Derek Hutchinson, Emily Joyce, Sarah Lark, Mark Goldthorp, Geoffrey Breton, Philip Pope, Nicholas Briggs, Nick Hendrix, Angus Wright.
The third volume of stories from Big Finish concerning The Avengers team of Dr. David keel and John Stead starts with the premise of a prison break out. It is a premise that has been done before the 1960s series first aired and has been done perhaps more successfully since, notably in one of the best films ever in the Shawshank Redemption and in the highly popular Prison Break television series, and yet there is something nostalgic and homely about revisiting an idea when you take away the modern bells and whistles attached to a story.