Tag Archives: Martin Compston

Red Eye: Crimson Icarus. Television Series Review.

Liverpool Sound and Vision Rating 7/10

Cast: Jing Lusi, Lesley Sharp, Jemma Moore, Martin Compston, Nicholas Rowe, Jonathan Aris, Trevor White, Tom Forbes, Richard Armitage, Robert Gilbert, Hannah Steele, Tom Ashley, Steph Lacey.

It is with surprise that the second series of Red Eye seems to have learned the lessons presented by its initial series and produced a far more intriguing situation to be investigated by D.S Lee and one that releases the damaging limitations that shrouded Jinh Lusi in the lead role and which reinforces a truth that the world at large is not only caught in the crossfire of ideology, but that at its very core it suffers from the best laid plans of those we might consider to be serving our own best interests.

The Revenge Club. Television Drama Series Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Aimee-Ffion Edwards, Martin Compston, Meera Syal, Douglas Henshall, Sharon Rooney, Chaneil Kular, Amit Shah, Aoife Kennan, Rob Malone, Wil Coban, Eion Duffy, Holly Harmon, Christina Bennington, Doireann McNally, Owen Teale, Catherine Walker, Niamh Walsh, Payal Mistry, Taru Devani.

Revenge is a dish best served with consequences understood, that by taking down those that wrong you can lead to a cost to your own soul, it can be the moment where the challenge of boundary will make you the perfect villain in the eyes of all; if though you can face that eventuality then why contemplate the act of reprisal on your own, the nature of vengeance as a solo effort, surely it is a better experience as part of like-minded group, The Revenge Club.

Mary, Queen Of Scots. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Saoirse Ronan, Margot Robbie, David Tennant, Guy Pearce, Jack Lowden, Joe Alwyn, Gemma Chan, Martin Compston, Ismael Cruz Cordova, Brendan Coyle, Ian Hart, Adrian Lester, James McArdle, Maria-Victoria Dragus, Eileen O’Higgins, Izuka Hoyle, Liah O’Prev, Alex Beckett, Simon Russell Beale, Richard Cant, Guy Rhys, Thom Petty, Aneurin Pascoe, Adrian Derrick-Palmer, Kal Sabir, Adam Bond, Like Kidd, Claire Brown, Alan Turkington, Jordan Turk, Adam Stevenson, Scot Greenan, Ed Jones, Alex Beckett, Ian Hallard, Andrew Rothney, Grace Molony, Georgia Burnell, Luke Hobson, Ben Wiggons, Eldredd, Wolf, Eric Macnaughton, Nathen East, Sean Buchanan.

Ripper Street: Live Free, Live True. Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Matthew Macfadyen, Jerome Flynn, Adam Rothenberg, MyAnna Buring, Charlene McKenna, David Wilmot, David Dawson, Josh O’ Connor, Louise Brealey, Ian McElhinney, Haydn Gwynne, Martin Compston, Peter McDonald, Emily Taaffe, Leanne Best, Anna Burnett, Danial Cerqueira, Enda Kilroy, Bradley Hall, Maeve O’ Mahony, Brendan Morrissey.

The issue of abortion is still one that causes heated debates, within wider society and also within the prospective family unit; it is a debate where the parameters change the closer it hits to home.

The Great Train Robbery: The Robber’s Tale. Television Review. B.B.C.

Liverpool Sound and Vision Rating * * * *

Cast: Luke Evans, Neil Maskell, Jack Roth, Bethany Muir, Martin Compston, Paul Anderson, Nicholas Murchie, Del Synott, Jack Gordon, Nigel Collins, Eliza Doolittle, Robert Glenister, Stuart Graham, Bill Thomas, Eric Hulme.

Those behind the 1988 film Buster should look upon The Great Train Robbery: The Robber’s Tale as a way to tell a story properly and without the large amount of buckets of whitewash in which to dip the carcass of post-war police work and the glamorisation of those involved in a crime that shook the very foundations of life in the U.K. already rocked by the scandal surrounding John Profumo and Christine Keeler.

Miss Marple, Greenshaw’s Folly. Television Review. I.T.V.

Liverpool Sound and Vision Rating * * * *

Cast: Julia McKenzie, Julia Sawalha, Fiona Shaw, Robert Glenister, John Gordon Sinclair, Judy Parfitt, Vic Reeves, Kimberley Nixon, Rufus Jones, Matt Wills, Joanna David, Bobby Smalldridge, Candida Gubbins, Sam Reid, Martin Compston,

Rarely does Miss Marple stray into the domain held dear by Agatha Christie’s other great creation of Hercule Poirot, that of the understated darkness in greed or supposed glory. Mostly whatever deeds have been committed in the cases of Miss Marple it has been for love or lust. Greenshaw’s Folly though perhaps sees the elderly spinster at her very best as she deals not only with horrifying aftermath of spousal abuse but the very worst case of murder, premeditated and for gain.