Tag Archives: Liverpool. (2018).

Gary Numan, Gig Review. 02 Academy, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

Gary Numan at the 02 Academy, Liverpool. March 2018. Photograph used with kind permission by Dave Edwards.

The dust has barely settled upon the knowledge that the world is broken, not just torn at the seams, stretching thin like black tights that cannot contain the expanding skin or a ceiling under the pressure of water that has started to buckle and strain, the thin plaster becoming slack before coming cascading down upon the floor below; the world is broken and it is arguably in many ways, impossible to put right again.

Yes, Gig Review. Philharmonic Hall, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

Yes at the Philharmonic Hall in Liverpool. March 2018. Photograph by Ian D. Hall.

It is the longevity of certain bands that inhabit the Progressive Rock genre that makes the prospect of certain anniversaries a moment to salivate, and whilst nothing can last forever, that at some point the world has to give way to the next generation, that age rather than the dullness of the senses is what comes for us all.

The Stranglers, Gig Review. 02 Academy, Liverpool. (2018).

Liverpool Sound and Vision Rating * * * * *

The Stranglers at the Liverpool Academy, March 2018. Photograph by Ian D. Hall

The next time the Beast from the East decides to make an appearance on Britain’s shores, the best form of defence against this cyclonic severe cold and snow would be to tap the resources of a room full of Stranglers fans and then allow the heat to pour out onto the streets in the surrounding areas; the cold of the last few weeks would not have stood a chance as they took in the sounds of a band still rightly considered, the definitive article.

Council Depot Blues, Theatre Review. Royal Court Theatre, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

Cast: Jake Abraham, Roy Brandon, Paul Broughton, Lindzi Germain, Howard Gray, Phil Hearne, James Nelson-Joyce, Andrew Schofield.

We all count down the hours as a big day arrives, the end of the week and the chance to sit down with the feet up in the comfy chair or enjoy a holiday in which there is nothing to do but soak up the sun and breathe in the different air. Until the day of final reckoning when the chance to say goodbye to all those we have ever worked alongside, come rain or shine, come snow, hail, biting winds and the odd moments when the heat has driven us to distraction, leaves us with Time on our hands to think, and it is that thinking that makes the clock tick louder as it reminds us, we have nothing to do today and that we miss being part of the routine.

Go West And Nik Kershaw, Gig Review. Philharmonic Hall, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

If you can remember the 80s with a glorious smile and the passion of a beating heart rampaging through single after single of dominating pop and the explosion of culture that surrounded it, then you are one of that rare breed that wasn’t hemmed in and surrounded completely by the post-war early boom of rock and roll and neither were you fooled by the arrival of the almost far too beautiful but in some eyes sulky, almost akin to drama filled, 90s that followed.

Paul Carrack, Gig Review. Philharmonic Hall, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

Paul Carrack at the Liverpool Philharmonic Hall, February 2018. Photograph by Ian D. Hall.

Unless you are part of the esteemed Liverpool Philharmonic Orchestra, you don’t see that many musicians performing a two night stand at the prestigious venue; it isn’t that it is not the done thing, it just happens that way, performers take to the stage, they give the audience the respect they are due and the harmony of expression and hopeful love, then they move onto the next town, perhaps only stopping to take a look at the city in daylight hours, rekindling a memory of their own before the bus and their equipment drives on.

The Classic Rock Show, Gig Review. Philharmonic Hall, Liverpool. (2018).

Liverpool Sound and Vision Rating * * * *

The Classic Rock Show, Philharmonic Hall, Liverpool. February 2018. Photograph used with the permission of David Munn Photography.

There are times in your life, if you have been fortunate to have been bitten by the bug that salivates over the pleasurable moans of a well played guitar and the heartbeat rising when the drum kicks in, the bass and the somehow deep and meaningful lyrics come into play and the recognition that the song reflects not only your mood but your life, it is those times that you know that Classic Rock has got down deep and personal in your life and the song, no matter how much it remains the same, is there to be loved and remembered.

Little Red And The Big Bad Wolf, Theatre Review. Unity Theatre, Liverpool. (2018).

Liverpool Sound and Vision Rating * * * * *

Cast: Liz Jadav, Simone Lewis, Harvey Robinson, Luca Rutherford.

BSL Interpreter: Kate Labno.

We all warn our children about straying from the path provided, to not deviate, keep close at all times, and even though we understand they have to make their own way in the world. We also have the responsibility to make sure that they don’t get hurt, become embroiled and hang with the wrong crowd, that they, unlike Little Red, find fascination with the wolf who wears its fur with pride, who has the smooth pick up line and casual interesting manner.