Tag Archives: Fenella Woolgar

Spies Of Warsaw, (Episode Two). Television Review. B.B.C. Television.

Liverpool Sound and Vision Rating * * * *

Cast: David Tennant, Janet Montgomery, Marcin Dorocinski, Linda Bassett, Piotr Baumann, Nicholas Blane, Kenneth Collard, Dan Fredenburgh, Adam Godley, Burn Gorman, Ellie Haddington, Julian Harries, Ann Eleonara Jorgensen, Radoslaw Kaim, Grzegorz Kowalczyk, Anton Lesser, Richard Lintern, Tuppence Middleton, Andrew Sachs, Fenella Woolgar.

The noose around Poland that was being held between Germany and Russia was getting ever tighter as the second and final part of Ian La Frenais and Dick Clements’ adaptation of Alun Furst’s novel Spies of Warsaw came to its conclusion.

The Film. Radio Drama Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Henry Goodman, Jeremy Swift, Geoffrey Streatfeild, Fenella Woolgar, Hamilton Berstock.

It was not until Channel 4 had the sense of duty that had been denied Sidney Bernstein, Alfred Hitchcock, Richard Crossman, and a whole platoon of film makers that made their way to various concentration camps as liberation from the Nazi terror that had engulfed Europe, then perhaps only a select few would have ever been privy to the immense documentary collaboration that became known at the time as German Concentration Camps Factual Survey , but which perhaps had even greater impact when released in the chilling 2015 release as Night Will Fall.

Dalgliesh: A Shroud For A Nightingale. Television Review. (2021).

Liverpool Sound and Vision Rating 8.5/10

Cast: Bertie Carvel, Jeremy Irvine, Helen Aluko, Alice Nokes, Eliot Salt, Robin Krostoffy, Alex Krostoffy, Beccy Henderson, Fenella Woolgar, Amanda Root, Siobhan Cullen, Richard Dillane, Avin Shah, Natasha Little, Syd Ralph, Lily Newmark.

We have come to think of the past as a rusting, decaying, and in many cases unnecessary distraction from the objectives of today, and the hope for the future that we all wish to witness, the new sense of puritanism that has come replete with cancel culture, of objectifying key moments and simply erasing them as if they didn’t happen, rather than confronting them and placing them in their appropriate modern day thought; that is the past not only rusting, but being corrupted in the same way that the workers of the Ministry of Truth changed details daily under the terrifying eye of Big Brother.