The Huntsman: Winter’s War. Film Review.

Liverpool Sound and Vision Rating 7/10

Cast: Chris Hemsworth, Emily Blunt, Jessica Chastain, Charlize Theron, Nick Frost, Sheridan Smith, Alexandra Roach, Rob Brydon, Sam Hazeldine, Robert Portal, Sope Dirisu, Annabelle Dowler, Colin Morgan, Ralph Ineson, Liam Neeson.

Winter is always coming; it just depends on how far you are willing to go in which to protect yourself against the savagery of war that plunges mortal beings into the ways of the warrior. Frost calls and the Huntsmen go in search of more lands to steal; it might not sound like a fairy tale but The Huntsman: Winter’s War is no story in which to consult The Brother’s Grimm over, this is a made up sequel of its own creation.

Whisper And Be Loved.

The whisper that Time

says goodnight in

is only as forceful

as you wish

it to be, as beautiful

as you allow it and as outrageous

as you dare it, Time cares

not in the end how you take

note of the whisper, only

that you hear it, only that it will

be heeded, walk not into the light

without having first kissed

the whisper, without gently

asking it to remove its feminine

blue trilby and the decaying rose

between its polished teeth

The Heroine On The Line (For Those I have loved).

I should call you, I should really,

I should call and ask how you are,

I should see if you are O.K.

and fighting the fight as well as the world

but I am quite scared that for whatever

reason, I will find out you’re fighting me.

 

The role of dastardly villain does not sit well

with me, I cannot twirl my moustache

and talk of plots in soliloquy to an audience of one,

rather play the heroine, the damsel tied

to the tracks and the locomotive

The Black Circles, Undone. Album Review.

Liverpool Sound and Vision Rating * * * *

There is always time to loosen up, to disengage with the static and the absolutions of life and try something new, to be touched by a sound that goes beyond the foggy and the assisted disorder; to loosen up, to unleash the music and not be Undone is a mark of knowing just how far to push the sound without losing the creative bundle of energy that dwells hopefully within us all.

Helhorse, Album Review.

Liverpool Sound and Vision Rating 8.5/10

It is rare to find yourself in the company of a rampaging jungle beast or the anger of an animal of the plains, one that has come home from a long tiring day at work hunting wildebeest and stamping the timecard without success only to find that their partner has run out of sauce to smother the kill. Anger, boiling rage and seething fury, the lion and the rhino may have it all in abundance when consuming or giving into their very nature, their animalistic experiences but it is nothing when compared to the temper of a band throwing themselves into the pit of aggression with indignation drawn and flashing like a ceremonial blade against the desert sun.

The Veldt, The Shocking Fuzz Of Your Electric Fur. Album Review.

Liverpool Sound and Vision Rating * * * *

Being able to express yourself beyond society’s insistence and self-imposed boundaries is one way to pick an earnest fight with those whose opinions are constrained by their own inadequacies. Whether it’s an artist, a sportsperson, an academic or even a city’s own self worth against the limitations forced upon it, expressing yourself is the ultimate put down to that presumed self-hating society.

Forget To Breathe In Rust.

Breathing fresh blustery

April air as I admire the view of

the rusting Iron Men dotted

along at intervals and in which

fixed steely glazed eye

turn their gaze to wind farms

and the Irish coast

over horizons and the seabed

churning as a lost shoal of fish

dance beneath the waves

of amber under relentless sun

to come it is hoped in Summer

I look inward

and reflect upon the amber hue

of disappointment, of days passed

and slept through memories,

The Lake Poets, Album Review.

Liverpool Sound and Vision Rating 9/10

There is so much regret, so much intense remorse and mourning that comes across in The Lake Poets self titled new album that the listener has to place a steely resolve between the heartbreaking emotion on offer and the warmth of unbridled sentiment that is captured with passion and genius. The regret of a single person might be missed in the pointing of fingers and loud roars of accusations, especially when that person’s genuine protests of innocence have been ignored, however it only takes one person willing to listen to understand the truth and to be moved by it completely.

Ripper Street: The Strangers’ Home. Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Matthew Macfadyen, Jerome Flynn, Adam Rothenberg, David Threlfall, MyAnna Buring, Charlene McKenna, Lucy Cohu, Ronny Jhutti, Matthew Lewis, Michael Liebmann, Derek Riddell, Killian Scott, Stewart Scudamore, Jonas Armstrong, Andrew Brooke, Anna Burnett, Hamza Firdous, Michael Ford-Fitzgerald, Clare Foster, Ian Gelder, Ed Hughes, Anna Koval, Izzy Meikle-Small, Emer O’ Grady, Benjamin O’ Mahony, Karl O’ Neill, Isaac O’ Sullivan.

Mole Underground

Navigating the Tube,

the Underground from over ground,

by map which is quicker

than the journey

you plan to take

was once a joy, as it lead to

days out at Queens Park Rangers

or Arsenal or even down to the

Hammersmith Odeon to see you play, however

now I will be stretched for time

and it is only because

I have to get home

that I contemplate the Sunday dawdle

and the Thursday evening madness, otherwise

the bus, so I can see the route