The South Afreakins, Theatre Review. Spotlites, Edinburgh Fringe Festival 2016.

Liverpool Sound and Vision Rating 8.5/10

Cast: Robyn Paterson.

When you don’t feel safe in the area you have lived virtually all your life, do you try to change your location and begin again, be a stranger in another country, or do you try and change yourself, to try and feel the revolution that is going on around you and go with the flow? Either way you might lose something of yourself, something that makes you, you and it is not something you can ever regain.

Brazil, Theatre Review. New Town Theatre. Edinburgh Fringe Festival 2016.

Liverpool Sound and Vision Rating 8.5/10

Cast: Angus Chisholm.

The world is always on the edge of some war, some take over and the only constant in all of these merciless moments is the effect it has on the populace being bombarded and brutalised. The Olympics may dominate the news during this year’s Edinburgh Festival but for one artist, one play, the thought is very much on the use of language, the insanity of war and the apparent safety that might lay in Brazil.

Good Kids: On Tap, Theatre Review. Underbelly Med Quad, Edinburgh Fringe Festival, 2016.

Liverpool Sound & Vision Rating: * * * *

Cast: Tom Dowling, Kieran Ahern.

With over 3,000 shows to choose from at the Edinburgh Festival, it is easy to feel daunted by such variety. Not only does the festival include comedy and theatre it also showcases some of the most varied performers from around the world, from circus acts to physical theatre to opera and the spoken word. Comedy sketch shows are also in abundance and there is one duo who are back for a second year to try their luck at the one of the largest art festivals in the world.

Stage Maid.

Was it wrong to believe

for a short while

that I could recapture a moment

in time,

fleeting perhaps,

the small gesture

of alluded art that I so desperately

wanted to be part of.

That to dream of standing

before you, the lonely virginal

player, steeped in the allure

of the greasepaint and the single

short monologue

in which to make

an entrance with,

to make people sit up

and take notice of,

was that ever so wrong.

Into drastic middle age, early death has been defied

Michelle Shocked, Gig Review. New Town Theatre, Edinburgh Fringe Festival, 2016.

Liverpool Sound and Vision Rating * * * * *

Intimacy can sometimes come as a bit of a surprise when attending a concert, it can be a little daunting to see the performer’s eyes so close up, to be sat within a few feet of the fingers dancing on the strings and catching the reflected light from the stage all around you as if watching a shadow play; it is to be thought of daunting but one surely dispelled quickly and instead thought of as a privilege instead.

Living A Little, Theatre Review. New Town Theatre, Edinburgh Fringe Festival, 2016.

Liverpool Sound and Vision Rating 9/10

Cast: Paul Thirkell, Finlay Bain, Lauren Jane Sheerman.

When the end of the world comes, you really do have to is start Living a Little, for who knows just what awaits you as the moments tick down, as the warning signs of imminent death come crashing too close to home and the final desperate leap of hope disappears off into the sunset. To do is surely the only sane thing to do in a world that has lost all reason.

Bubble Revolution, Theatre Review. New Town Theatre, Edinburgh Fringe Festival 2016.

Liverpool Sound and Vision Rating * * * *

Cast: Kasia Lech.

The problem with revolutions is that in the chance that they succeed, they will inevitably begin the process of being just a ravenous monster as the regime they swept away in bullets, bombs and prayers. Revolution of any type is fraught with the uncertainty of bread today, jam tomorrow, the mouldy crust the day after that, revolution is weighed down with expectation that cannot be fulfilled but it is nevertheless a state of political ultimatum that should never be ignored.

Kerb-Appeal.

Please don’t park on a drop down,

the unassuming slight

plunge in the pavement

at the end of roads,

the pedestrian walk way,

or even pram pushing mother

or wheelchair user,

find it quite difficult

to fall down an eight inch crevice

without either tipping over,

babies nose sniffing the asphalt

and stones cutting small scares

drawing blood on fresh skin,

or the anxious wheelchair user,

not having the energy to make sure

they don’t fall flat on their face

for the amusement of others,

Carlotta de Galleon-A Fool for Love, Theatre Review. Spotlites, Edinburgh Fringe Festival. 2016.

Liverpool Sound and Vision Rating 9/10

Cast: Charlotte Gallagher.

English Literature is awash with the heaving bosom of the heroine being swept off her feet by the man she thought was broken, dangerous, a heart ruled by anarchistic ritual and yet you won’t find that many books of the romantic nature inside Britain’s book shops, not unless you delve deeply into the classic section and realise that all those writers of a by-gone age knew something that that modern audiences, so full of sophistication and drowning in scepticism, have forgotten; that sex and romance sells like almost nothing else available to read.

Tent, Theatre Review. Spotlites, Edinburgh Fringe Festival, 2016.

Liverpool Sound and Vision Rating 7/10

Cast: Yuuya Ishizone.

The secrets that come out in the dark, when you are lost in the remoteness of the both the wilderness and the mind, those are the most comfortably haunting secrets to be revealed, they are the ones that others cannot walk away from so easily or be refreshed by the day time sun; the finest and most damning secrets are always best revealed when lost.