The Bar.

The bar,

always the bar

with a silent moment

straggling behind,

failing

to keep up

with the excited and bubble in nose conversation.

I always met the most

interesting,

beautiful

and charming people

nestled in the bar fly mode;

you chiefly amongst them

dear Carole Labrum…

I raise a glass and toast your honour,

to the only person that ever drove across

two states to hear me talk

and ignore

the silence

wheezing and puffing

exhausted in the background.

 

David Barnicle & The Mystery Force, Human Sacrifice. E.P. Review.

Liverpool Sound and Vision Rating * * * *

What would you forfeit if it meant succeeding at something, to be seen as enthralling, the mysterious and the exceptional, it might be worth a lot of things but it is never worth your soul; if you don’t keep it real, then surely by the definition you have cheated yourself out of the very sacrifice, the point of the journey you have tried to attain and cherish.

Pippa Reid-Foster, Driftwood Harp. Album Review.

Liverpool Sound and Vision Rating * * * *

Whilst some tales can be told without the aid of music, no music can be felt, expressed or admired without a tale being held within its heart, its core, it matters not a jot whether there are lyrics binding the music together or if indeed the work offered by the artist is an instrumental piece, a journey into the wordless activity, what matters that in the listener’s mind there is a narrative they can grasp hold of and not let go, that they can imagine flowing with gentleness, lapping at the banks deep inside the brain and then rushing to a dramatic but scintillating conclusion.

Life’s Orchestra.

What was there before the strings,

the resonating beauty of a violin

caught in the midnight chime

of my ears and soul,

what was there before that…

 

What was there before the beat of a drum,

the sniff of palpitation of my heart

that rose and shivered

in time as the snare cut across Time,

what was there before that…

 

What was there before the electricity,

the hum and the feedback

that snarled and kissed

like an angel dressed in red, a riff blessed,

Lost In Kiev, Nuit Noire. Album Review.

Liverpool Sound and Vision Rating 8.5/10

The night is the harbour of the darkness, like the seismic shock before the Earthquake, the prospect of what is to come plays on the mind, it crawls down sleeping memories in which you hoped for better days and the darkness, the tangible, fearful resolution in the mind that all is lost, all is confused and alone is only the night playing tricks upon the brain. The darkness soon gives way to hope, to understanding that the music can play on, even if it is a different manner, in a way that is full of meaning and the resolution you once felt that abandonment was the only option, soon reveals that the Nuit Noire, the black night, is only a part of life.

Gone Savage, Resurrection. E.P. Review.

Liverpool Sound and Vision Rating * * * *

The statement is always, if it feels good then it cannot be considered bad, there are many things in this Universe that contradict this point of view, the warmth of a summer’s day might be the precursor to the snow caps melting just little faster, having a lay in on a cold winter’s Sunday morning might lead to a life time of sloth, the benefits of eating a tomato everyday could descend into the realms of a lonely steak being ignored. However, listening to Gone Savage’s Resurrection can only surely lead to good things, there is no chance that it can lead to anything but an even greater appreciation of the Rock restoration.

Let the Horns.

Let the horns

blow gently in the background

as the instrumental choice

breaks their hearts, the soft

lament of winter’s approach

and spring’s forgotten haze

is only a melody of memory

played out down the years

with summer an extension

of the orchestra’s belief

and autumn the tumbling farewell;

let the horns blow gently

for you are a King

with compassion in your heart

as the instrumental break

shows only too well.

 

Dedicated to John Jenkins.

Ian D. Hall 2016

Tobleroned…

I expect nothing less

in a world where Donald Trump

can somehow become number 1,

than to see my festive only Toblerone

become a stranger to me,

the weird spacing now employed

now means I cannot look upon it

as if staring down the Valley of the Kings,

the heat haze and the curse,

an adventure in Christmas chocolate;

instead it is now the echo

of a drizzly Stockport day, menace

in the Lancashire mists and rain,

where is the adventure, the romance

of almost taking out the roof

The Mono LPS, States Of Decay. Album Review.

Liverpool Sound and Vision Rating 9/10

This year will be remembered for many things, so many events that it might actually overshadow the surrounding years around it when people turn their mind to writing the annals of the century; so many distinctive voices lost, so many people who have given enormous pleasure and the arsenal of self respect to others taken from us, that it leaves a darkness, a gloomy shade of pale bitterness in the lives of those left behind.

Kalandra, What Do You Know About Love. Single Review.

Liverpool Sound and Vision Rating * * * *

The spectre of the fairy tale lives in all us, arguably we like nothing more than being thrilled by the chase of the wolf as its bristling hair is ruffled by the wind and the scent in its nostrils in enhanced by the perfume of Red Riding Hood and the opportunity to save the fable from those who only live to play games, those who seek solace in the pixel and the rising of the console.