Brick Up 2: The Wrath Of Ann Twacky, Theatre Review. Royal Court, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Jake Abraham, Roy Brandon, Eithne Browne, Danny Burns, Suzanne Collins, Paul Duckworth, Andrew Schofield, Francis Tucker.

Band: Howard Gray, Danny Burns, Adam Keast, Francis Tucker.

Revenge is a pudding best served piping hot and with all the flavour, texture and fruit mixed together to be delivered with precision, timing and a smile so wide that once served it is the talk of the town, and with the score settled and the laughter bellowing all around.

Robin Trower, Coming Closer To The Day. Album Review.

Liverpool Sound and Vision Rating 9/10

Creativity has no expiry date, there are no rules which dictate an age barrier to the artistic and productive flow and yet quite often we find ourselves extolling the virtues of the young and never giving credit to those whose time on Earth has been filled with the pursuit of all that is inventive and original. It sometimes must feel that the film Logan’s Run was just a radical idea taken up and put in place, that the philosophy detailed is Coming Closer To The Day when we disavow anything that has been fashioned by anybody older than a certain age.

The Loch Ness Mouse, The Loch Ness Mouse II. Album Review.

Liverpool Sound and Vision Rating 8.5/10

If only a winning formula was available to those who seek inspiration but often find that their time is not in the right place, that their heart, for all their worth and experience, for all that they endeavour to achieve, is perhaps missing out because they strike out blindly and without the aid of knowing that all along what they needed to do was follow the rules of succession, namely that being recognised as unique and rare will attract the stories that are in search of exclusivity and passion.

Cary Balsano, Versailles. Single Review.

Liverpool Sound and Vision Rating 8.5/10

It is not that we feel fear as a response to the moment we are confronted by the creatures that inhabit the darkness but that we shall find the fear is the greatest weapon we have in arsenal to combat and disarm the demons. It is in resolution to be greater than we are that we seek out the challenge instead of sheltering behind a wall, closed off, lacking in hope and valour, for once we remember who is watching us, we understand how courage works.

Jon Fratelli, Bright Night Flowers. Album Review.

Liverpool Sound and Vision Rating * * * *

They say that an artist should never find themselves continually painting the same view on the canvas before them, it stunts the overall vision, the observation, and whilst that particular canvas will show the continuing age, the scenic era as it blossoms and corrodes with time and be remarked upon for the one frame changes, it does nothing for the artist that they cannot surround themselves with other scenes, take in different ideas and paint with words, with pictures, with thoughts; change is necessary and essential to keep the art thought-provoking and stimulating the nerves of those who seek it out.

The Girl On The Train, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Samantha Womack, Oliver Farnworth, John Dougall, Naeem Hayat, Adam Jackson-Smith, Lowenna Melrose, Kirsty Oswald, Matt Concannon, Phillipa Flynn.

Physical human manipulation and ease in which we can find ourselves drowning in a sea of guided abuse never makes for an easy bedfellow in which to immerse yourself in. From the outside looking in you can see all the traits, the subtle digs at the way someone controls another person, influences others to see the worst in that person, and yet when you are the one being expertly handled, all you see is the relief that addiction of any type can bring, that it is no longer your fault.

Dido, Still On My Mind. Album Review.

Liverpool Sound and Vision Rating * * *

Not everybody likes the idea of Earl Grey tea being the signature tune in which to start their day, some prefer the idea of an infusion of exotic tastes to infiltrate their daily boundary, the skirmish between the beauty of sleep and the rigour of the time ahead which promises excitement, or arguably the same old, same old.

Midsomer Murders: The Ghost Of Causton Abbey. Television Review.

Liverpool Sound and Vision Rating 7/10

Cast: Neil Dudgeon, Nick Hendrix, Fiona Dolman, Annette Badland, Amber Aga, Michael Byrne, Beth Cooke, John Cummins, Zebb Dempster, Angela Griffin, Tony Gardner, Anita Harris, Jason Merrells, Anjili Mohindra, Chu Omambala, Elaine Paige, Justin Pierre.

The curse is a powerful tool when it comes to bringing a story of murder to life, it is the symbol of the preordained motif that will weave itself through the narrative and give a sense of comfort, as well as cunning, to the viewer as they watch the gruesome tale of death unfold.

Captain Marvel. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Brie Larson, Samuel L. Jackson, Gemma Chan, Lee Pace, Ben Mendelsohn, Jude Law, Annette Bening, Djimon Hounsou, Rune Temte, Colin Ford, Clark Gregg, Chuku Modo, Lashana Lynch, Robert Kazinsky, Kenneth Mitchell, Marilyn Brett, Stan Lee.

There are times when you look at a film and understand the hype that has been attached to it, that the feeling of a completed article is close at hand, and yet in the same recognised thought, you see the issues that others have labelled down and wondered if they even went into the screening with that one purpose of mind, straight forward, non-objective or stereotyped open mindedness.

Macbeth, Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Sean Jones, Warwick Evans, Kaitlin Howard, Tim Lucas, Tracy Spencer-Jones, Lenny Wood, Gillian Hardie, Mary Fogg, Michael Hawkins, Lisle Des Landes, Ethan Holmes, Gareth Llewelyn, Harvey Jameson, Elinor Jones.

There is almost no comparison for many fans and scholars of Shakespeare’s volume of work, aside perhaps the essential Hamlet and arguably the scale of Julius Caesar, nothing can touch the suspense and drama of Macbeth. Perhaps because of its close relationship to the darkness in the soul of the ambitious, the craving of being proclaimed the finest, the best and knowing your fate before it is time, that marks it as a play in which to be immersed within.