Category Archives: Music

Robin Adams: The Beggar. Album Review.

Liverpool Sound and Vision Rating * * * * *

We may beg for many a garnish in life, for the icing of the cake to be seen as smooth, flavourful, unveiling a rich texture that excites the palette, a revelation of taste, colour, and coherent disclosure; it is after all the final cherry that we expect to be pressed into place which will give us the reason to salivate and chomp at the bit of life.

The Harbinger: Gates Of Hell. Album Review.

Liverpool Sound and Vision Rating 9/10

The Gates Of Hell are open and whilst all the devils and demons have been on Earth for some time, what is being evoked now is the sound of the cries of the human traitors allying themselves to causes that will surely bring destruction. Only the heralds of music for the masses, the portents of good fortune and live mentality can hold the un-songs at bay.

Melanie Crew & Ross Palmer: Some Other Stories. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Exploration of ideas is what always pushes the artist into new, unfound realms of discovery, the beautiful struggle of chasing down a song, endlessly correcting a piece of poetry, or indeed sculpting marble into humanity, all lead to the next big idea, Some Other Stories in which to bring to life and see the cycle continue onwards.

Melanie Crew and Ross Palmer seamlessly almost waltz into view once more, and on the back of their impressive E.P. Away From The City, and their enormous debut album Quiet After Midnight, the pair offer a continual drive of folk inspired passion in the release of Some Other Stories.

Cheap Trick: All Washed Up. Album Review.

Liverpool Sound and Vision Rating 9/10

The inference by many that rock has had its day, that the new generations coming through are no longer influenced by the thrilling demands of its riffs and lyrical bounty are to be frank, not only hogwash, but almost insulting to the genre. Classic Rock is by no means All Washed Up, indeed it has the continuing power to charm and inspire with weighted authority of rebellion that many others wish they could match.

Amy Hopwood: I’d Rather Be Older (Than Dead). Single Review.

Liverpool Sound and Vision Rating 8.5/10

The vagaries of youth demand that we all look at the possibility of reaching a certain age as an almost impossibility, not denying the time spent on Earth, but the vents of frustration and niggles of pains that go hand in hand with it; it is the fine act of human balance called into question where with age comes wisdom but also arthritic knees, bad backs, and a host of other issues to which the user will complain, but to which with a smile and a song in the heart will explain that “I’d Rather Be Older (Than Dead)”.

Miss Emily: The Medicine. Album Review.

Liverpool Sound and Vision Rating 8.5/10

How do we know for certain what is The Medicine and what is the placebo, only by trial and error, by cause and control, and by taking notice of the effect the practise of listening to the mind and the soul has when taken with invited dose administered; this is the difference between that which makes you a truly better person rather than just being one who believes they are because they have been used as a sample.

It’s Karma Its Cool: One Million Suburban Sunsets. Album Review.

Liverpool Sound and Vision Rating 9/10

The suburbs, a place once where aspiration meant social prosperity, a status and condition of overcoming what was perhaps intended and which became the abiding sanctuary for the dreams to unfold, for the belief that we might witness the event of One Million Suburban Sunsets take hold and see the stars reflected in our eyes.

Lincoln’s own stars shine ever brightly, a pace where four sons outperform the heat from those million sunsets, and dazzle with life in a way that the evensong of the celestials cannot touch; for in human endeavour the heavens may rise, but creativity and imagination trumps all.

Lester Young: Lester Leaps In : Live At Birdland 1951-52. Album Review.

Liverpool Sound and Vision Rating 8.5/10

It has always been as such that legends of yesteryear become myths in the end, or if the worst-case scenario be realised, they become phantoms, beings of skill and devotion who are forgotten by later generations, ignored as time’s sweeping hand saves but a few for permanent recognition.

The modern music fan may be consumed with striking their own clear path, lauding some, denigrating others, discounting the immensity of those that went before them, perhaps even declaring that noting that came before has any relevance to their life today; this is not only disingenuous, but also a dangerous belief to uphold.

Anthony Ruptak: Tourist. Album Review.

Liverpool Sound and Vision Rating * * * *

We are, by and large, a species that documents everything, from the smallest detail to the earth-shattering reveals that have shaped and formed our perceptions of the world, a moment’s certification of recorded thought in print or online can reveal much about the fractured notion of society, the modern world we inhabit, often scarily not participating in, but simply existing within.

Kyle Carey: The Last Bough. Album Review.

Liverpool Sound and Vision Rating 8.5/10

The sound of strings has its own mystic, it is almost universal, and yet played by a unique heart it can convey every emotion from melancholic to the reflection of joy when the crescendo is reached, as profound emptiness is replaced with the miracle of birth; it is as if those scientists with theories of the structure of our existence have the notion of concept completely nailed down, that string theory is in essence the very fabric of music.