Category Archives: Music

George Sansome & Matt Quinn: Sheffield Park. Album Review.

Liverpool Sound and Vision Rating 8.5/10

The prospect of union is always exciting, it proves that we can combine with another to realise a dream that could take place anywhere from a studio in South Wales, to a plush apartment that overlooks the Hudson Bay, and to the soul and folk gathering place of a Sheffield Park with little distraction and a mountain of energy urging us onwards.

That is the point of combining forces of wot and candour, of like with like, and with the sheer industry that sometimes comes with opposing sides; for even those armies of declared intent gather together, the world can still find harmony in their unlikely connection.

Everything But The Girl: Fuse. Album Review.

Liverpool Sound and Vision Rating * * * * *

The meeting of minds is more than just connection and agreement, it is trust commended and followed through upon, even when a number of years have passed you can still find the moment where trust, commitment, and honour bound you together, then what follows was always meant to be, and to be certain.

Thomas Charlie Pedersen: Employees Must Wash Their Hands. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Not all instructions are taken lightly, some are full of their own perverse excess, some revel in their perceived importance, and others are so full of drama that they almost border on hate speech, implying that if we don’t follow them blindly then we are guilty of many sins, of being out of the circle drawn, essentially in the dirt with our thoughts and ideas.

The Room: Restless Fate. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Like riding a bike, once you have mastered an artform it never truly leaves you.

Time passes, sometimes too much for the artist to regain a semblance of balance between what they once produced and to what they wish to explore, to present, in the now; and yet there is the room to which sleep is denied with force, the place where a purpose never rests until it is examined, poured over, and delivered with as much affection and fortitude as once lit up every corner of the artistic apartment at hand.

Joe Bonamassa: Tales Of Time. Album Review.

Joe Bonamassa Announces “Tales Of Time” Live Album Set | SonicAbuse

Liverpool Sound and Vision Rating * * * * *

When the iconic is caught between Time and a rock, the influences of stories and tales are sure to keep all enthralled as the clocks tick ever onward.

When the public talk of Joe Bonamassa, the father of 21st Century Blues is just as likely to be voiced and expressed as a musician of articulate iconography; it is inevitable, and it is in that direct impression that his albums have not only given the Blues its due recognition but impressed upon listener and artist alike of the validity of a genre that was in critical danger of fading from public view.

Keith Thompson: Timeless Vol 2. Album Review.

Liverpool Sound and Vision Rating 9/10

We all have our own definition of timeless, that which lives during a period of abiding change undaunted by fashion, by the cruelty of every changing vogue, or by the temporary beauty moulded by the modern damnation of the influencer. To be timeless is to place above almost everything that which gives the most pleasure and accept that your life is a series of pulses caught at the right moment and which define your life’s work as well as your soul.

Ben Bostick: The Rascal Is Back. Album Review.

Liverpool Sound and Vision Rating 9/10

In today’s world, being serious is not only seen as a virtue, but shows commitment to every cause that comes our way; we must be seen to appear stony faced, deflecting all that could be construed as silly, frivolous, demonstrative in the chambers of perpetual grimness, and never once find stuff, life, amusing anymore, in case we are seen to being on the side of humour heretics.

Lucy Kruger And The Lost Boys: Heaving. Album Review.

Liverpool Sound and Vision Rating * * * *

In the face of anguish and turmoil, we can often be found to rise ourselves up to the person we wish to be seen by others as. It may be a face, it could be a mask, but the upheaval will bring out the best in us, to be seen Heaving the rock as if we are preparing it for Sisyphus to roll up a hill with grunts and muscles strains, is a badge of honour…

Sarah-Jane Summers & Juhani Silvola: Sølvstrøk. Album Review.

Liverpool Sound and Vision Rating 8.5/10

In life too much emphasis is placed upon hitting gold, of opening a seam that is flawless and filled with riches beyond anyone’s comprehension, the damage wrought to the individual as they dream of the precious metal can become like a sickness, urging them onwards until the scarcity value is dominant and unfulfilling.

We all carry our own shade of value, and perhaps it is a finer seam we strike when we look to the precious nature inherent in the sturdier and cleaner premise of consistency to be found and admired in silver mining, the allure of the polished material giving a sheen of endurance to which gold cannot stand against time; that of the silverstroke, the Sølvstrøk, which just requires care in which to gleam.

Elton John: Honky Château. 50th Anniversary Re-issue Review.

Liverpool Sound and Vision Rating 9/10

Time is a construct displaying humanity’s absurd notion that if it can conquer a planet, then it can also be the master of the clock, of the minutes and seconds that ever present in nature; in the grand scheme of the apparent stillness of the universe, the world is only tune to the beat of the one who calls itself master, and that in which plays the tune to be heard in the Honky Château.