Category Archives: Music

Perennial: Art History. Album Review.

Liverpool Sound and Vision Rating 8.5/10

To be bold is an art form in itself, it is the camouflage we wear, the suit of armour that masks the inner feelings of emotion, the performance we show to the world, and each time we push the boldness of our tempered spirit onwards we create a little piece of history, a wedge of our punk heart full of righteous anger and swollen souls determined to get in the face of societal oppression and take a point for the action of the those who are on the right side of history.

Solitary Bee: Autumn Recruits. Single Review.

Liverpool Sound and Vision Rating 9/10

Autumn can be seen as the season that values the upbeat melancholic, it honours the belief that ageing is just a step on the road to renewal, that even though the harsh winds of winter and the thick skirts of snow that can threaten the peace of end of current days, autumn is a moment of beauty, radiance, of longing over memories of cultivating log fires and the understanding that those that the season recruits see the world through a kaleidoscope not hindered by the sweat of summer and the false starts of springs.

Steve Dawson: Ghosts. Album Review.

Liverpool Sound and Vision Rating 9/10

Loss affords us the introspection to see our time through the eyes of Ghosts, the memories that linger in the mind and offer us a kind of salvation so that we might reflect on who truly mattered in our lives, and their message to us across the boundaries of time.

The thing is we are ghosts ourselves, we haunt a present that is filled often with the meaningless and the damaged as much as the noteworthy and the significant, and it is our duty to cut a swathe through one and offer the generations to come a more evened existence so that when we have passed our moment on Earth we can rely like a signal to all who listen our own hopefully impressive story.

John Entwistle: The Ox Box Set. Box Set Review.

Liverpool Sound and Vision Rating 9/10

In a band of four exceptionally strong personalities and absolute proficiency, no matter what was produced in combination someone was always going to feel relegated, to be almost pushed aside in the pecking order. It is not a new sensation for anyone filled with creativity, George Harrison after all felt the burden so much that he famously quit whilst on camera during the filming of a Beatles’ documentary; so it perhaps is no wonder that the man credited as one of the finest bass players to ever perform on stage, The Who’s John Entwistle, found himself relieving his artistic tension by becoming the first of his own musical clan to delve into his own ferocious talent and come up with a solo album of pure gold.

Don McLean: American Boys. Album Review.

Liverpool Sound and Vision Rating * * * *

There are few signs that the image of Americana formed from post war influence has lasted the course and remain as part of the collective aura of today; few idols in music have stayed the course from a period when Apple Pie and Picket Fences were more than just a staple of cliché and the formulaic, and those that have are often unwilling to divert away from the feelgood sessions that made their name and to continue to bask in the glow of the light of what made the genre so alluring, so enthralling in a world recovering from despair, the haunted masques of misery.

Kombos Collective: Uproot. Album Review.

Liverpool Sound and Vision Rating 8.5/10

The birthplace of democracy, the works and thoughts of Aristotle, Plato, and Socrates, the legends and myths of Gods, of true warriors defending a narrow pass, of theatre set against the Mediterranean sky, and seas that carried idea across vast seas; they all require one thing, and it is just as vitally important now in the modern era as it was in times less troubled by those whose notions were presented with an even greater degree of ill-intent today.

The Lovely Eggs: Eggsistentialism. Album Review.

Liverpool Sound and Vision Rating 8.5/10

If you don’t feel the hackles rising and the wrath coursing through each vein   as the body responds to the old, desperate retort of “Get a proper job” as you plunder the soul for the opportunity to bring something unique, something spiritual, anything artistic into the world; then frankly there is no hope for you. You may as well reserve your place at the end of the line marked mediocrity and hope that the existential parade never finds you sulking as you march to the beat of other’s dogma and insecurity.

Queen: Rock Montreal. Album Reissue Review.

Liverpool Sound and Vision Rating 9/10

A timely reissue of an old favourite is guaranteed to be successful, but a re-release of arguably one of the best examples of a craft being undertaken at the height of an artist’s popularity is a reveal that belongs in the soul of the one willing to embrace a sound, a time, to which will never happen again.

Jill Jackson: Curse Of The Damned. Album Review.

Liverpool Sound and Vision Rating 8.5/10

The sensitivity of a voice is what we first notice when our soul is captured by a sound breaking down our resistance to the day, the trials and tribulations, the moments of anguish, the long hard stare of a fierce predator shaped in the distressing gowns of grief….that voice can bring it all down and surrender itself to peace because of the timbre and the beauty that resonates deep within us.

Troy Redfern: Invocation. Album Review.

Liverpool Sound and Vision Rating 9/10

To call upon the supernatural and the spirits that guide us in our dedication to artistic endeavour may feel to some as nothing more than an invitation to devilry, the incantations of witches and occultists; where in truth the Invocation is cast by magicians, by entertainers and not illusionists.

To understand that magic is held by the creative soul and not one who practises deception is to feel the freedom of the soul, to watch it soar, to be at peace with the result of the Blues and the Rock that is brought forth into the world, and in that, in his own powerful truth, Troy Redfern brings forth the spell of tremendous musical wealth in his brand new studio recording, Invocation.