Category Archives: Music

Meat Loaf, Bat Out Of Hell. 35th Anniversary Retrospective.

Meat Loaf and Jim Steinman, two artists whose contribution to the world of rock music should under no circumstances ever be dismissed to a mere foot note in the history of popular culture. In the autumn of 1977, they gave the world the first of three albums that were destined to shape a generation.

Meat Loaf’s career may have begun doing the rounds a few years earlier with performances in the musical Hair and with his first album released in 1971, the unremarkable Stoney and Meatloaf but it was his ground-breaking work with Jim Steinman that sent temperatures soaring in the October of the year when Punk was no longer a musical form of expression that could be contained and old Progressive Rock bands were feeling the force of musical rebellion.

Neal Schon, The Calling. Album Review.

Liverpool Sound and Vision Rating * * * *

Over the last seven years, fans of Neal Schon’s electrifying guitar solos have had to contend themselves to an odd guest appearance with the legends Paul Rogers and Sammy Hagar and the resurgent power of his band, the American superheroes of Rock, Journey, if they have wanted to hear one of the greats in action. Now after a seven year absence, Neal Schon proves once again his standing in the pantheon of guitar heroes as he releases The Calling.

Tinlin, Shade Of The Shadows. Album Review.

Liverpool Sound and Vision Rating * * * *

Take the vocal harmony of Scottish Del Amitri when they are at their soulful best, combine elements of America’s Simon and Garfunkel and add the passion that certain songwriters can bring to their audience and the result you have is a superb album by Tinlin titled Shade Of The Shadows.

Tinlin are brothers Rolf and Alex Tinlin, with their vocal harmonies and soft gentle refrains, they make a proposition worth listening to with some wide eyed and overwhelming abandonment. The sound they combine alongside Stephanie Blood on cello on the songs In These Arms and Don’t Want To Sleep Alone, Jack Carrack on percussion and Eleanor Tinlin on cor anglais and oboe make this an album worth seeping yourself into.

Beverly McClellan, Fear Nothing. Album Review.

Fear Nothing could just be an outstanding metaphor for Beverly McClellan’s life; the fact that she uses this inspiration as the title of her international debut album release shows not only how much she believes in her own mantra but also in the music that she has recorded.

American television programme The Voice may have given her national exposure but this is one woman whose work stretches back long before breaking a countrywide conscious with her very intelligent music and raw power in her sensual and honest bluesy voice.

Kiss, Monster. Album Review.

Liverpool Sound and Vision Rating * * * *

No matter what, the story of Kiss keeps going. Nearly 40 years down the line Paul Stanley and Gene Simmons continue to let this gargantuan behemoth draw breathe and thrill their millions of fans. For their 20th album release Monster, the ingredients that made them absolute show stoppers and musical entertainers are still there and it seems as if this Monster will not be tamed.

Beth Hart, Bang Bang Boom Boom. Album Review.

Liverpool Sound and Vision Rating * * * *

It cannot just be by chance that music producer Kevin Shirley aligns himself with some of the most fascinating and brilliant people within modern blues and they don’t come much more fantastic than Beth Hart or her new album Bang Bang Boom Boom.

Following on from her collaboration with the man who makes blues seem effortless and instinctive, Joe Bonamassa, for the 2011 album Don’t Explain and her simply stunning album, 2010’s My California, Ms. Hart has once more come up with songs that are musically strong and reveal another layer to her virtuoso performances both as writer of intense feeling and also as a vocalist.  Her intonation and deep desire in her voice gets underneath your skin and tugs at every resistance you may possess until you give over to her demands.

Jeff Lynne, Long Wave. Album Review.

Liverpool Sound and Vision Rating * * * * *

In the years to come Birmingham City Council should and must erect a statue to the local lad who became one of its finest musicians and record producers. If they can put up a piece of modern art for the great comedian Tony Hancock then by beyond all reasonable doubt they should put one up of the equally excellent Jeff Lynne.

Madness, The Rise And Fall. 30th Anniversary Retrospective.

Madness are one of the quintessential British groups that made their name in the late 1970’s and who still, over 30 years later, are able to raise a smile of joyful expectation when they announce a new album or showcase one of their much anticipated sell out night at venues up and down the country.

After much success with their previous three studios albums; One Step Beyond, Absolutely and 7, all of which made the U.K. top ten, the band released in the autumn of 1982 their fourth and arguably their best album The Rise and Fall.  This would stand musically head and shoulders above all other contenders till the men from North London hit music gold in 2009 with the inspired and tantalising concept album which surrounds the love of London and its people in The Liberty of Norton Folgate.

Focus, Focus X. Album Review.

Liverpool Sound and Vision Rating * * * *

One of the archetypical Progressive Rock bands and undoubtedly one of the finest to have come from mainland Europe, Focus, have come up trumps again with their brand new album Focus X.

Focus may be described as legendary; however there isn’t a word in existence to express how much they are revered, despite poor critical acclaim on some of their albums in the lean period of their tenure as one of Europe’s most important Prog bands. Since the group was resurrected for the Focus 8 album in 2002, their following has returned and so has the excitement of listening to this genuinely unique and fantastic band.

R.E.M. Automatic For The People. 20th Anniversary Retrospective.

Although R.E.M. had been around for many years, by the time Automatic for the People came out in 1992, the excitement and rush it caused in their long term fans could be seen as finally over-spilling into mainstream appeal.

The band had finally broken both the U.K. and American top ten with their previous album Out of Time and with Automatic for the People they cemented their position as one of the great alternative/rock band of the period. The four musicians that made up the band seemed to pick the right time to come of age, making their way through a very pop dominated 1980’s in which to start with they barely troubled the U.K. charts, through the power period dominated by bands such as Heart/Whitesnake/T’Pau and finally were in the position to be among the bands that were sweeping aside the celebrity culture of pop inspired false personality.