Liverpool Sound and Vision Rating * * * *
The gentle refrain of well observed lyrics and well played music is not a usual thought when people think of Texas or its arts side. Although Pantera and Bowling For Soup, arguably two of the better known bands that British audiences will be aware of, divide music opinion, one with their own particular brand of Thrash Metal and the other for their party driven image, they still have a considerable following.
The Stranglers are arguably one of the finest bands to have come out Britain. The four men in black boast a huge dedicated following that turn up in their droves to gigs in this country and abroad and with albums and singles that have sold beyond measure. However even the most dedicated of Stranglers fans must have been surprised the direction the seventh studio album, Feline, took when released in the New Year of 1983.
Liverpool Sound and Vision Rating * * * *
David Garside seems to have always ploughed his own furrow when it comes to making and performing music, however he certainly follows in the footsteps of some of the great and musically innovative musicians that have hailed from the realms of Birmingham. In his latest album, the appealing and beguiling End Of The Pier, the emotion and haunting nature of David’s love of his favourite music and determination to stretch his and the audience’s attention have made for a sound that grabs the listener.
Liverpool Sound and Vision Rating * * * *
As debut albums go, Norman Kelsey’s unveiling as a solo star was nothing short of excellent. A Talent For Loving takes the young man on a ride that is heavily influenced by the sounds of Prince, soul masterpieces and the best that pop can inspire, a disparate range of emotions and one of the sweetest voices captured on disc.
Ste Reid at the o2 Academy, Liverpool. Photograph by Ian D. Hall.
Liverpool Sound and Vision Rating * * * * *
As The Mono L.P.’s took to the stage at the o2 Academy, Liverpool, it was almost possible to see in the eyes of the five musicians, Luciano Verghini, Chris Barlow, Dan Beech, Ste Reid and Vicky Mutch, just how far they have come in the hearts and minds of Liverpool audiences in such a short space of time. Nothing is beyond them collectively or individually it seems, nothing much fazes them when they stand on stage together and it is great credit to the ability and tenacity of the group that they have become so well admired during that time.
Liverpool Sound and Vision Rating * * * *
Maini Sorri has to be Sweden’s best kept secret as far as British audiences are concerned. The woman from Uppsala’s profile is really only known to the minority dedicated lovers of Scandinavian music in the U.K. and that is a shame as her album Someday: Volume Two is a sweet, intelligent and enjoyable piece of work.
Originally published by L.S. Media. August 2012.
Anybody that has managed to catch the incredible Stealing Sheep in the last couple of years, be it supporting Emmy the Great on tour or even their own shows will already know how dreamlike and sensational they are.
For others who have yet to experience the tremendous vocal arrangement, backed up by some of the most unusual but spine tingling music conceived since the early days of Pink Floyd, then Into the Diamond Sun by the three women who make up Stealing Sheep is not just essential listening, it’s an album of ethereal beauty, a glimpse of what is achievable outside the safety bubble of corporation pop and mass produced noise.
Liverpool Sound and Vision Rating * * * *
Coming across a set of music that seems to have been sorrowfully neglected by the British public at large is sometimes a rare and agreeable hour of indulgence, the pleasure grows as it takes root and before you know it, the music is as infectious and you begin to feel bad that you never have had the chance to enjoy it before. Such is overall feeling of satisfaction that the listener can lose themselves in on R.O.C.K.S. – Humbucker’s 2011 album.
Liverpool Sound and Vision Rating * * * * *
Born out of fire and created with a South Welsh attitude, the latest band to come from that thriving musical part of the U.K., the superb sounding Shadow of the Sun have finally released their debut album, Monument, and it is a colossus.
The energy that comes through every pore, every fibre that the group possesses is drenched in the sweat and power of this recording. Loud, extremely loud and pulsating with class, Monument is an album that typifies the raw power that is available at the hands of musicians who strive to show that good music doesn’t slot into just one typical genre, it can be instinctive as it wants to be or as those creating it want it to be.
Liverpool Sound and Vision Rating * * * *
Ian Skelly may have already tasted and enjoyed incredible success with The Coral but that doesn’t mean that the man ever sits on his extensive laurels and waits for the new long-awaited album by the band to take shape. If anything he has been kept busy by the release of his own album, Cut From A Star, and whilst fans of The Coral wait patiently for a new studio album, the anticipation will be made all the more worthwhile by listening to this excellent recording.