Category Archives: Music

Samantha Fish, Black Wind Howlin’. Album Review.

Liverpool Sound and Vision Rating * * * *

If you want revolution, if the idea of the start of an uprising in the hearts of a specific music genre is something that takes your fancy then Samantha Fish’s latest offering to the mass public is sure to be more wrecking than a person with a 1000 pound metal ball on the end of a crane in a scrap yard could ever hope to achieve. Black Wind Howlin’ cuts through the storms, slices past the obstacles placed in its way and heads over the Atlantic in a flurry of musical fury and the result is utter brilliance.

Cyril Neville, Magic Honey. Album Review.

Liverpool Sound and Vision Rating * * * *

If music be the food of love, then let Cyril Neville forever play on. Cyril Neville is a music legend, a man who makes music sound as deliciously entertaining as it should be heard and whose latest album, Magic Honey, has all the ingredients of a mix of songs that have been well prepared and seasoned to enjoy in only way that the man can.

Michael Monroe, Horns And Halos. Album Review.

Liverpool Sound and Vision Rating * * * *

Recording an album is only really as hard or as difficult as the artist wants it to be. There is of course the pain of opening the soul up so far that it allows others who have no connection to the musician, in the act of revealing one’s life, no matter how sincere the writing or score is, what is demanding and tiring. It can also be a blessing, a cathartic episode in which the musician just shows to the awaiting audience that what they know is at the end of the day, not all they know. Some will struggle to keep the fine line of privacy and public awareness separate, others embrace it. Michael Monroe, the man who certainly made Hanoi Rocks is one such individual who opens his heart and his latest album, Horns and Halos, is an absolute belter.

The Bad Shepherds, Mud, Blood And Beer. Album Review.

Liverpool Sound and Vision Rating 9/10

There are cover versions and then there are real humdingers, songs that have been given such a new lease of life that they buzz with a new purpose that thrills the musical soul. Many musicians and boy bands can recreate the sound of a much loved anthem, the pop classic, the standard bearer of a generation who knew the song inside out and adored it but somehow it gets rehashed by the latest so called boy band and the song somehow loses its power. Then there are The Bad Shepherds and the incredible folk twist they bring to music which illuminates that power and gives it a new meaning.

Caves, One. E.P. Review.

Liverpool Sound and Vision Rating 9/10

If you can listen to the Caves’ new E.P., One, and not feel the pulse, the sensation of something that grips the attention and the raw emotion that is stamped throughout the three tracks, then there is no hope for you. The pothole that you poked your head over and scanned the musical horizon briefly may just be too comfortable for you too ever leave.

Arrow Highway, Album Review.

Liverpool Sound and Vision Rating * * * *

Listening to music in the comfort of your own home is an enjoyable way to take in the thoughts and words of an artist, the soothe reassurance of what is familiar surrounding new music is tangible and concrete. Some albums though need the experience of being heard whilst you are out in the open, away from the confines of four walls and being urged to take the imagination by the hand and showing it a different way of life, an image to hang the music onto. This way of looking at music works wonderfully well especially when it is a pure and defined set of instrumentals as Mike Chylinski’s new project Arrow Highway.

Thom Morecroft, Moon Moon Shake It. Album Review.

Liverpool Sound and Vision Rating 9/10

If all roads lead to Rome, then does the River Mersey beckon with its delicate welcoming sound of its history and people and toss and crash of its deep blue water for musicians far and wide to take residence beside its shores and bring something of their talent and then infuse the artist’s natural gift with something solid, something incredible? Many it seems are called to Liverpool, countless are even chosen and the city of absolute culture embraces them, for Thom Morecroft, a man from the wilds of Shropshire, and his album Moon Moon Shake It, it seems that enticing wink from the Mersey has captured a man who will not let anything stand in his way.

Tragedian, Decimation. Album Review.

Liverpool Sound and Vision Rating 9/10

Decimation, either a slaughter or annihilation, a battering of the senses in which the only chance you have of salvation is keep on playing the album until you work out exactly why the new album by German Power Metal band Tragedian seems so formidable.

Reuben Archer, Personal Sin. Album Review.

Liverpool Sound and Vision Rating * * * *

Reuben Archer’s pedigree stands before him like an outstretched monument, adorned with the knowledge that it symbolises something extra, that little piece of musical ingenuity that many strive for but just fall short of. It also takes an incredible talent to pull the amount of superb guest musicians to perform on his debut solo album and when you have the supreme gift of genius as Magnum’s/Thunder’s Harry James, Status Quo’s John ‘Rhino’ Edwards, Neil Murray, the great Luke Morley and Paul Raymond on the album, then it’s not so much as a Personal Sin, but a statement of special intent.

Marcella Detroit, The Vehicle. Album Review.

Liverpool Sound and Vision Rating * * * *

Albums come and go, pop stars appear and disappear with frightening regularity and yet the artist digs away at your soul with a kindness and sincerity that those who litter the charts of popularity can probably never hope to achieve. The artist stays in the listener’s heart and makes themselves at home forever. Even with a large distance in time between albums, what comes along can be thrilling, soulful and takes the listener on the next stage of their life hand in hand with them.