Category Archives: Music

London Grammar, If You Wait. Album Review.

Liverpool sound and vision Rating * * * *

Nottingham has changed in the last 30 years; some parts may be unrecognisable to those who first made their way to the city and outlying areas at the start of the 1980s in the hope of catching their favourite bands perform in some of the town’s more interesting venues and even more salubrious settings. The surface may have changed, even become more welcoming in some places as Nottingham realises it has a duty to the next generation of its young and not be the hotbed of tourism mania in which to grab the next pound from unsuspecting sightseers and day-trippers

Dreadzone, Escapades. Album Review.

Liverpool Sound and Vision Rating * * * *

Twenty years after their first release, the band that the great John Peel championed with passion, Dreadzone have released their latest opus Escapades and the result is something that perhaps the great man would no doubt have raved about for many years to come.

Not only is the usual hybrid of Reggae and hard Folk fused with the electronic-dub very much in evidence throughout this articulate and thoughtful album but its charm lies with the appreciation of memory, of battles fought, wrongs righted and knowing still that the war is from over, there are still far too many injustices to take care of. Dreadzone capture the antagonism of the age superbly, the ever creeping anger at the way many have become marginalised just for being who they are whilst others revel in the misery caused.

Muse, Absolution. 10th Anniversary Retrospective.

Liverpool Sound and Vision Rating 9/10

Arguably it could be said that Absolution, Muse’s third studio album, was the recording that announced the band onto the wider world and certainly from the moment Absolution was released they haven’t looked back.

Satyricon, Album Review.

Liverpool Sound and Vision Rating * * * *

Some groups need no introduction; the pulsating power that seeps out of every pore smacks with such intensity that Krakatoa hangs its head in shame for causing a whimpering fuss. For Satyricon, the power is magnified by a considerable factor, as if the island that blew itself apart had dug deep into the Earth’s core and found a big brother to stand behind it.

Snakecharmer, Album Review.

Liverpool Sound and Vision Rating * * * *

For an album, a piece of recording history, to hold so much individual and seemingly disparate talent and turn it into a record such wealth and barnstorming enjoyment is either locked away in the recesses of the Rock music fan’s mind, ready to be spieled out in a lull of conversation in a pub one Friday night or actually physically existing in the form of Snakecharmer’s self-titled and cracking debut album.

Rovo And System 7, Phoenix Rising. Album Review.

Liverpool Sound and Vision Rating 9/10

Sometimes coming across a group or project that you don’t know about can be cathartic for the soul, for it reminds you of why you fell desperately in love with the chosen genre in the first place.  With enough nods to the intricate genius of Mike Oldfield, the eclectic progressive Jazz of groups such as Brand X, the majesty of Pink Floyd and a whole host of Progressive rock bands entwined with an art house feel, Phoenix Rising, an album of colossal combination by Rovo and System 7, is an album that will blow any pre-conceptions the listener may have when it comes to the world of Japanese Progressive Rock.

Iron Maiden, Dance Of Death, 10th Anniversary Retrospective.

Liverpool Sound and Vision Rating * * * *

Dance of Death, as album titles go, it’s a fair one to place on an album cover especially by arguably the U.K.’s leading Heavy Metal band enjoying a new renaissance with Adrian Smith and lead vocalist Bruce Dickinson back within the helm. It conjurors up thoughts of a last waltz, which thankfully will be suspended for as long as possible, of a macabre game with the Grim Reaper, or in this case the band’s long time mascot Eddie doing a plausible impression of the figure in black as if taken from a gruesome version of the film The Seventh Seal, as Death itself holds out its hand and asks you to join together.

Black Spiders, This Savage Land. Album Review.

Liverpool Sound and Vision Rating * * * * *

Just when all hope seemed lost, when the chips weren’t just down, they had been fried, assaulted by fat and consumed with all the gourmet finery available to those in a busy city centre on a Saturday night out, the British Heavy Rock brigade gets the shot in the arm it has craved since Black Sabbath’s phenomenal album 13 was released. Sheffield’s Black Spiders fit the bill perfectly as one of Britain’s Rocks finest as they survey the wreckage that the Metal scene has become and This Savage Land is more than grateful.

Touchstone, Oceans Of Time. Album Review.

Liverpool Sound and Vision Rating 9/10

The world may be perpetually on the brink of meltdown as it struggles from one crisis to another with little room to take a breath before the next impeding disaster needs patching up or perhaps covering up; however whilst there are groups such as Touchstone who can fill the emptiness that the soul can feel when living through times such as we do, then there is always a glimmer of hope that a bleak day can have some element of brightness to it.

Cult Of The Fox, Angelsbane. Album Review.

Liverpool Sound and Vision Rating * * * *

If you have to join a out of the ordinary following, then music has all the power it needs to make that following gather pace in such a way than the rather obtuse word trendy can express. This year has seen the continent of Europe really come of age when it comes to Heavy Metal, outshining almost all, with a couple of notable exceptions, that the natural homes of the U.K. and North America could hope to match and more so in the Scandinavian heartlands. Swedish Heavy Metal group Cult of the Fox greatly add to this growing reputation with their album Angelsbane.