Category Archives: Music

Debbie Bond: Live At The Song Theater. Album Review.

Liverpool Sound and Vision Rating * * * * *

The feel of the raw emotion of the Blues in the 21st Century is now a given, the lean years of the genre firmly displaced in time, smoothed over as a gentle reminder to all that if you take a moment or a movement for granted then eventually it will grind to a halt and turn to dust; and yet the listener cannot but be helped drawn to a time when the Blues was at its zenith, the golden age of the sultry and the smoky bars, where imagination and the flow of music went hand in hand and leads you to front table by the stage, directly in the eye line of the steady and composed talent acting as the Muse and love for the night.

Sex Pistols: Never Mind The Bollocks Here’s The Sex Pistols: Live In The U.S.A. 1978

Liverpool Sound and Vision Rating 8.5/10

The phrase, so well-known, repeated, and misused by some who find ways to sneer at the moment in time that the Sex Pistols managed to install themselves briefly at the very centre of the storm that rightfully gave Britain the kick it needed to finally start pulling away from the Victorian straitjacket that had bound tightly to the sensibilities and rigid indoctrination of the public, somehow frames the three cd release of the band’s tumultuous time in the United States with a kind of consummate ease.

Helloween: March Of Time: The Best Of 40 Years. Album Review.

Liverpool Sound and Vision Rating 9/10

Time was…and time remains in the hands of those willing to be than a bystander, a voyeur, an observer of events, and whilst it is noble to be a credible witness to Time’s passing, to actively get involved in its storm, to pursue an agenda in which your name or your art adds the eddy and the wake, to the whirlwind above and the whirlpool below…that is the gift, and the curse of Time, we are addicted to its allure and if we are not participating fully, then it will leave as nothing more than an onlooker drowning in the very air supplied by the drum that marks its passing.

Samantha Fish: Paper Doll. Album Review.

Liverpool Sound and Vision Rating 9/10

Samantha Fish’s track record has been nigh on exemplary, every album, every collaboration, has been immersed in detail and insight; it is proof that alongside others who have given the Blues, not only a rebirth, but a reinvention in the 21st Century, that given the right person and their determination the genre can exist and flourish in a world now dominated by soundbites and ten second videos designed for the mass population.

Maddison Breen: Odesa. Single Review.

Liverpool Sound and Vision Rating 9/10

The continual praise we lay at the feet of some artists is always a pleasure, it is a reminder that constant practise and unbound talent go hand in hand, that it is an even split between dedication and release of emotional endurance, and in Maddison Breen’s latest single Odesa, the beating heart of fearlessness and objectivity in truth is unrepentantly gorgeous.

Vicki Peterson & John Cowsill: Long After The Fire. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Long After The Fire turns to embers, we can still resurrect the feeling and the emotions felt as the shadows thrown against walls and our souls make us feel the comfort of warm memories, of connecting us to a past where myths and magic were concocted and spoken of in reverential tones, and where those that whispered of images and spirits could be seen as the perceptive wise people of our times.

Ally Venable: Money & Power. Album Review.

Liverpool Sound and Vision Rating * * * * *

There is no doubt that Blues as an artform needed to reinvent itself in the 21st Century as it found itself on the point of collapse, of suffering self-destruction to its lack of ability to coax and lure new fans to its ailing body. There is assurance that Blues was dying, and even a resurrection of the genre would only give it a limited time scale of survival as decent and legends remained, but nobody was willing to take their place in the heated arena.

Gypsy Pistoleros: Church Of The Pistoleros. Album Review.

Liverpool Sound and Vision Rating 9/10

If you’re part of the in-crowd then you’ve wasted the opportunity life affords you to be a cynical individual, to feel the desire of the recklessly abandoned and the fiercely misunderstood; for nothing feels quite so good as understanding that refusing to play the games of those who only want to be there for the chance to show their face in the limelight is arguably the only church you are require to worship in.

Robin Trower: Come And Find Me. Album Review.

Liverpool Sound and Vision Rating 9/10

The great survivor of the Psychedelic Rock era, one of the true godfathers of guitar’s sweet embrace as a means of expression and conveyer of emotions, Robin Trower’s continual presence at the heart of the music is to be admired and celebrated, and the fact that he prodigiously focuses his attention on giving his audience his all is nothing short of fantastic, and one in which his new album, Come And Find Me, adds yet again a figure of respectable insight to the application of the art he is credited rightly as being one of the men responsibility for its accessibility.

Bell Barrow: CoreCore Pulp. Album Review.

Liverpool Sound and Vision Rating * * * *

The flesh of any art should always be ripe, ready to consume, appealing to the eye and one that draws you in to see below the surface, wanting to devour the core, to drain the pulp and squeeze the very life out of it so that you can feel the soul being refreshed; much like the attraction of a succulent fruit on offer in a grocers shop, we are pulled in by the vision, no matter what the underneath may contain.