Category Archives: Music

Amy Papiransky, Read Me Write. Album Review.

Liverpool Sound and Vision Rating * * * *

In the emotional turmoil that comes with attempting to express one’s beliefs, hopes and thoughts, we often accuse of others of not making sense, we deride them for their stuttering shadows of speech, as if that is the point of existence, to play a game of battering egos in which assumption of somebody’s worth is decided by how well you decide they have got their opinion across.

Kris Barras Band, Light It Up. Album Review.

Liverpool Sound and Vision Rating 9/10

The bonfire that surrounds us is one that few are willing to see burn to the ground, the smoke will cling to our skin for a while but it will also find a way to point the way clear, to act as a beacon that our personal thoughts are sacred. Our belief is tantamount to the revolution that we wish to see witness, whether it is one of the mind, or of the soul, such is the value to be gained by imploring others to Light It Up, and then, like the aftermath of a volcanic eruption, in time finding that new growth can bring forth rapid change.

Backline, Salem Town. Album Review.

Liverpool Sound and Vision Rating 8.5/10

To feel bewitched by sound is such an enormous pleasure that it can feel at times completely overwhelming, the sense of having been placed under a soothing spell of aural confusion and symphony is to give yourself to the elementals and the practitioners of numerous spiritual allusions; it is under this influence that the trip to Salem Town is one that comes out of the blue and strips you of all tempting pride and places you instead in a world where angels speak to you of enchanting stories and tales.

Ina Forsman, Katrina Pejak, Ally Venable: Blues Caravan 2019. Album Review.

Liverpool Sound and Vision Rating 8.5/10

They Say I’m Different, perhaps not so much different, as distinctive, a symbol of female drive and Blues passion that is captivating, and which has thankfully been part of a growing with speed since the turn of the century; a far cry from the times in which to be part of the Blues arguably meant for a woman somehow being seen as the voice, and not as the face and the heart of the song.

Chris Wragg And Greg Copeland, Deep In The Blood. Album Review.

Liverpool Sound and Visio Rating 8.5/10

You cannot ignore what is Deep In The Blood, the signs of your own humanity, the ecstasy of life, and even when others blood may run cold as the story continues, it is, in the end, their loss, their problem, for understanding what drives you, is in itself the point of having heart, courage and pleasure continuously running through your veins.

The combination that comes out of nowhere is one that injects fortune into the mind of the seeker, the one who unceasingly pursues the next form in which to wrestle with, who knows there is something else that survives in the blood, that it is honey that makes the world a sweeter proposition that might otherwise be the case.

Hannah Wicklund & The Steppin’ Stones. Album Review.

Liverpool Sound and Vision Rating 9/10

Intensity is a virtue that is often treated as if it is an instrument of power, of exploitation, rather than the thought of demonstrated appreciation and the stepping-stone to fulfilment, it all depends on the circumstance, the application, the means of delivery to which few manage to convey with sincerity of heart and without seeming to go overboard and headlong in to the realm of unrequited devilish glee.

Burton Guibord, Are We Free? Album Review.

Liverpool Sound and Vision Rating 8.5/10

Are We Free? Not at all, we may give the appearance and nodding glance to the notion of liberty, but deep down we know we are tied to the spectre of authority, as a species, as an individual. It is only in the hands of the dreamers, the poets, the writers and the artists that arguably the land of independent thought can exist, even then it is secured and gagged by others who dismiss the point as being one only driven by the self, that the ideal of Utopia is one that cannot exist unless humanity dies.

Georgie, Georgie: Live! Album Review.

Liverpool Sound and Vision Rating * * * *

The recognition of the right atmosphere can be the most important factor in determining just how your soul is treated in the future; should you flounder and find yourself in the dark, the sound of your voice the only comfort, then you have chosen poorly, however, should you place your trust in the live setting and strike out with passion and honesty, then all is revealed as beauty.

Hayley Ross, The Weight Of Hope. Album Review.

Liverpool Sound and Vision Rating * * * *

We can strive for perfection, but in that pursuit, we often overlook the details that make the journey worthwhile. Being flawless is admirable but it is often shrouded in untethered pride. The Weight of Hope that we look to is what keeps our imagination on track, the accomplishment in the quest to deliver something that others can aspire to recreate a far better option in which confidence and courage will be seen to invigorate the organic and the natural sound we really desire.

Jesse Dayton, Mixtape Volume 1. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Reinvention is not the preserve of those that seek to change their background story, in the right hands it can also add a sense of glorious insight to how we can all interpret life, how the subtle cues in interaction can take on a new meaning. Whilst some might see it as a sacrilege, a sign of disrespect to the originator of the scene, to those with art filling their veins, it can be an act of devout sincerity, an offering of thanks to the creator that they have been inspired.