Category Archives: Music

Shakin’ Stevens, Singled Out. Album Review.

Liverpool Sound and Vision Rating * * * * *

It has been noted by less than forgiving critics over the years, that a mark of popularity does not earn someone the right to be called incredible, to be labelled as a person to whom we owe respect to the status fostered upon them, nor that the popularity which is so quickly gained in less than enlightening times would prevail with a more discerning audience who have been immersed in a wider circle of influence…perhaps such critics are correct, maybe they understand the universe with greater authority than mere mortals could ever hope to comprehend; they will point the finger and single out an artist, a figure head and run off a list of their flaws and disasters and smile smugly as they do so. But maybe, just maybe, they are wrong. 

Kenny Wayne Shepherd Band, Straight To You: Live. Album Review.

Liverpool Sound and Vision Rating 9/10

Signed, sealed, bypassing all others, the only way to get the heart of the matter is by seeing the message delivered straight to the intended recipient, without delay, without postponement, and with every conscious beat of the heart focused on it being publicly aware and abiding to the belief of capturing the sentiment in its purest, most untainted way possible.

Become The Sky, Teimlo Fel Chwyldro. Single Review.

Liverpool Sound and Vision Rating 8.5/10

When a marriage falls apart there are often recriminations, accusations, and a lot of heartache; a pain that amplifies the more that others get involved, an ache that never truly reconciles.

The same can be said when a nation disintegrates, when it is pulled apart on grounds of religion, political divides, outlook and more despairingly, unfairness in the act of opportunity; the only difference is that there are a lot more people involved and each one of them could find ways to make the separation more complicated, more destructive. After all we are not talking about a house or splitting the assets of a bank account, when it comes to a nation fracturing, it descends into war on an unimaginable scale.

Peggy James. Hard Times. Single Review.

Liverpool Sound and Vision Rating 8.5/10

Hard Times, whatever we do we cannot seem to escape them, the fear of the depression, the spectre of Victorian era which haunted the populace with visions of the workhouses and the possibility of starvation, we are no longer just three pay checks away from ruin, we are at the mercy of the overlords and politicians, the greed of bankers, the scourge of political idolatry, we are pawns in a harrowing situation, made deeply soulless by a virus that could and should have been contained and eradicated, the virus of capitalism.

Sister Lee, Who Took The Stars Out Of The Sky. Single Review.

Liverpool Sound and Vision Rating 8.5/10

It is a universal truth that music not only aids the soul in troubled times and blesses it with the same virtue in days of plenty, but that is an art that can take someone out of the poverty imposed upon them by government and circumstance, that it can raise them spiritually, can give them hope when dark skies are closing in, and above all, be the teacher to which they commit themselves too when all else may abandon them.

Rachel Newton, To The Awe. Album Review.

Liverpool Sound and Vision Rating 9/10

It is no secret that the narrative of the world has been dominated, almost completely up until recent times, by those who see through the male gaze. Such a blinkered view is one that cannot and must not persist, that we must ensure our thinking continues to embrace the sound, the imagination, the strength and presence of the feminine, of the anchor they supply when the male scripture goes horribly and desperately wrong, of the foresight and inspiration to lead when the nation calls for a different kind of approach to which the male ego cannot cope with.

Twister, Cursed & Corrected. Album Review.

Liverpool Sound and Vision Rating 9/10

That debut album, that first initial outpouring of generous performance, even in the 21st Century most people seem to think it is an album that has come naturally, that whilst you may have been writing it all your life, the easy part is over and that you can receive the applause of the multitude without breaking sweat, or suffering the anxiety of feeling as though you will be Cursed & Corrected by some who will see you as interlopers in field filled with talent and your own nightmare scenario of them having more right to be in the limelight than you.

King King, Maverick. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Never give in, never surrender to the beat of another’s heart, not unless you love them without boundaries or without restrictions, for in the soul and existence of this Maverick acceptance of life, our senses are awakened to the tune of blossoming expertise and the belief that there are no limitations when you see life has no borders, that you can colour in past the margins and confines of someone else’s imposed restrictions.

Samantha Martin & Delta Sugar, The Reckless One. Album Review.

Liverpool Sound and Vision Rating 8.5/10

We have all met the person to whom the word heedless, even rash and hasty, can be applied, not out of anger or a sense of antagonism, but out of calm composure, because we know deep down that what they have said, what they might have done in the heart of the moment, was just them being human, thoughtless not evil, foolish not foul.

Candy Opera, The Patron Saint Of Heartache. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Time will throw you a curve ball when you aren’t paying attention, a moment to which you pray to your personal god, to which you clutch the artifact of your chosen personal canonised confessor and whisper to them all the sins of neglect you have found your guilty of committing, for in the search for absolution in the mind of The Patron Saint of Heartache one must concede that life’s rich opera doesn’t always show you what you needed to witness the first time round.