Category Archives: Books

Marvel: Secret Invasion. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

If there is any particular story arc from the house of Marvel comics that is ripe for cinematic adaption, then arguably the one that has surely the most potential is the Secret Invasion storyline that ran across various comic book character’s titles and in its own pages.

As with the epic nature of the Infinity Gauntlet saga that surrounded itself over the first phases of the Marvel Cinematic Universe, Secret Invasion gives the sense of security that will come from the pursuit of an overriding storyline that can bring in new characters to the fore, and take those that have already got their slots conformed in upcoming television series to another level.

Rob Davis, The Book Of Forks. Graphic Novel Review.

Liverpool Sound and Vision Rating 9/10

The way we damage other people is not always meant, it is not always with a design or purpose, we leave that to politicians and those with the agenda of keeping secrets intact. However, occasionally the damage executed is created by the tsunami of events that wash over us, the knives that are out and the inability to make sense of the world around us; the fear of what we might believe is the absurd, the futile and the meaningless.

Rob Davis, The Can Opener’s Daughter. Graphic Novel Review.

Liverpool Sound and Vision Rating 9/10

The art of the surreal is to draw attention to the sense of the off balance that we feel when we stop to look at the world from a position of standing still, to make us do more than think, but to accept that all we may have put faith in may be wrong, that we have forgotten to stop blindly accepting, that we don’t know how to communicate with someone with different ideas without starting a fight; to consent to the fantastic and weird is the best possible course of action that humanity can do.

Rob Davis, The Motherless Oven. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

What may seem surreal to one, makes perfect sense in the eyes of another, and it is in this dichotomy of visual experiences that confronts the reader of Rob Davis’ The Motherless Oven, to delve further into the notion of the rationalising strange, that is what constitutes the embrace of imagination, of recognising that the extraordinary can happen.

Davy Edge, The Darkling Dusk And Other Poems. Poetry Review.

Liverpool Sound and Vision Rating 8.5/10

It can only be hoped that the more you may know someone, the more they may surprise you, after all what is the point of the sunrise if you cannot enjoy the spectacle of the dusk and twilight that inhabits the same path.

Whilst night may fall and plunge the world into darkness, Dusk illuminates the shadows with one final kiss on the brow of the collective streets and buildings, the people’s thoughts which turn to images of lengthening shadows, the stranger by our side which has remained hidden by the pursuit of day, and whilst the shadow breathes one last time, it is to the Grandfather of American poetry that we remember that, “Every sunset brings the promise of a new dawn.”

Stephen King, The Institute. Book Review.

Liverpool Sound and Vision Rating * * * *

An author can obsess over the same story as many times as they wish, as long as they continue to change the narrative, the setting and the drama, it is after all within their power to set the tale anyway they wish if it means the reader is hooked on the detail; what must always alter is the flow, the discussion and the frank exchange of how the world responds.

Batman. The Dark Knight: Master Race. Graphic Novel Review.

Liverpool Sound and Vision Rating 9/10

Timing is everything, even when seen benefit of what may seem like distance between events, what you read, listen too, witness, can resonate through time and feel as if it is talking to you personally in the here and now.

That timing is paramount in the preserve of recognition, we understand the connection because the warning signs, the heartbeat of joy or the trepidation of our own fickle echo are calling out to be heeded, and regardless of whether we see the link as a song from the 60s, a paragraph from a book written in 1949 or even as a piece of graphic art that has been drawn and coloured for maximum effect, the resonating belief is one of stimulation and inspiration.

David Rault, ABC Of Typography. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

How you convey the meaning of a word is important, equally just as significant is the way it appears in the body of a text, in the application of pen to paper, or in the semi glow of the computer screen; the misuse of a line full of capital letters can lead to distress to the modern eye, confrontational, hostile, it may have been unintentional, a slip of the fingers and then not bothering to change because the sender knew what it meant…but to the recipient it feels as if they are put in the eye of someone else’s storm, and the defence mechanism kicks in.

Julie Birmant And Clement Oubrere, Isadora. Graphic Novel Review.

Liverpool Sound and Vision * * * *

Ballet divides opinion, but the dance never should. The ability to break, to smash the conventional is a right that few of us find the true appetite for, we may talk of revolution across every sphere and subject, but in the end we hold on, almost by our fingernails, kicking and screaming, to the orthodox and the dogma of the traditional.

Georges Simenon: The Carter Of La Providence. Book Review.

Liverpool Sound and Vision Rating * * *

There is always a question that hangs over the artist’s head, the answer slipping in and out of conscious as they grapple with their vision and attempt to breathe life into it; a question that might scare them, can possibly be years in the making, how do I capture the intensity and drama of my first success as I sit here and contemplate my second offering to the public.