Author Archives: admin

Bob Stone: Letting The Stars Go. Book Review.

Liverpool Sound and Vision Rating 8.5/10

We live in an unequal world; that much has always been true, and it is to the detriment of all who give the world their finest smile and go through life with one simple aim, to give others the time that they inhabit with a reason to love.

Love, it is the most powerful of emotions, one that push us to achieve great things, to prove the impossible, one that will see us reach for the stars, and witness us Letting The Stars Go once we realise that all we have achieve goes beyond the sacrifices we have made.

The Fires No Longer Burn.

The darkness hides the invisibility I wear

as a cloak disguises the cold that is felt

when my courage is stripped bare,

and the clemency I sought remains undealt.

Is it that you see me, but choose to ignore,

declaring to those able juice ridden ears of all my every crime,

faults, corruptions, misdeeds and more

that once friends saw good in me, destroying a rusting shrine.

I am cold out here. My skin has become shallow and worn,

I feel no warmth from the lit fires along

Supergirl: Series Six. Television Review.

Liverpool Sound and Vision Rating * * *

Cast: Melissa Benoist, Chyler Leigh, Katie McGrath, Jesse Rath, Nicole Maines, Azie Tesfai, Julie Gonzalo, Staz Nair, Peta Sergeant, David Harwood, Jon Cryer, Brenda Strong, Sharon Leal, Claude Knowlton, Jason Behr, Matt Baram, Jhaleil Swaby, Mila Jones, Calista Flockhart, Mechad Brooks, Jeremy Jordan, Chris Wood, Helen Slater.

There are finales that leave you breathless, there are finales that make you question your beliefs, and there are endings in which the length of time invested in a particular television series leaves you understandably devastated by its removal from your timetable and television schedule that it can hit you like a bereavement, not of the physical, but of the declared love you have shown it.

Sean Taylor, The Beat Goes On. Album Review.

Liverpool Sound and Vision Rating 8.5/10

How far can a song take you, how much are we willing to allow, to permit your heart to feeling the direction of dichotomy as it lurches like an out-of-control pendulum between heartbreak and affirmation of spirit. As both emotions centre of the self, as they govern how other’s see us at our most vulnerable, The Beat Goes On is the understanding that the heart and mind are there to remind us to keep believing we will not surrender to others who demand defeat and capitulation of the soul.

Treetop Flyers, Old Habits. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Old Habits don’t just die hard, they are the building blocks to the emotions we feel, to what we experience later, and the hope that somewhere the new customs we forge and the behaviours that took us unblinkingly to the moment of inspiration merge and create additional, original thinking.

We cannot dismiss the habits of our youth, whether they were ill-intentioned or pieces of the puzzle that is by definition us; they are there in our past like marionettes, the strings being pulled by our own external force, waiting to dance to a novel and flavoursome tune.

The Beatles: Get Back. Television Film Review.

Liverpool Sound and Vision Rating * * * * *

What is offered for commercial gain is not the full story, and quite often the full story never sees the cold light of day.

We have all seen what we believed was a cog in The Beatles story, culminating in a London roof top performance in which the ‘Fab Four’ showcased several songs that were to become part of the legend and myth of the group’s legacy; and yet what was presented, as with all edits, conflicts of interests, and trickeries of presentation, was barely even the surface of what was scratched, and as the crowds gathered, as bowler hatted men, as young girls and bemused, disgruntled police officers gathered in their masses, the idea of getting back was sold to the world.

Jim Davies, Prey Later. Album Review.

Liverpool Sound and Vision Rating * * * *

Prey Later, but first get the job done. A mantra to live by when plundering the depths of the soul in search of substance, in search of the body that sustains, to hunt down your prey or pray for salvation, either must give in to the primal urge of seeing the plan laid down in which to take affirmative action.

It is a mantra that Pitchshifter/The Prodigy’s Jim Davies has certainly absorbed as he follows up his debut album Headwars with his subsequent offering to an eager nation in the dynamic, dirty and industrialised Prey Later.

Mike McCartney’s Early Liverpool. Book Review.

Liverpool Sound and Vision Rating * * * * *

You can see it all, and yet still be unaware of the whole story that unfolds before your eyes. Seeing is believing, so they say, and yet what our eyes are able to visualise is barely enough to grasp the enormity of what the future is offering.

Today we are urged to take photographs of everything, to capture the moment, and this lends itself to two very different attitudes, one is the verification of the story, the proof framed that adds definition to the verbal narration, the other is the line taken by some that the photographer is merely seeking attention, demonstrating their life, be it humble, humdrum or beige, as one as an exciting monologue that deserves the full attention of likes, loves and shocked memes.

Shetland: Series Six. Television Review.

Liverpool sound and Vision Rating 9/10

Cast: Douglas Henshall, Alison O’ Donnell, Steven Robertson, Mark Bonnar, Lewis Howden, Erin Armstrong, Anne Kidd, Fiona Bell, Neve McIntosh, Benny Young, Juie Brown, Jimmy Chisholm, Conor McCarry, Angus Miller, Cora Bissett, Stephen McCole, Kate Bracken, Thoren Ferguson, Andy Clark, Anneika Rose, Lewis Gribben, Sharif Dorani, Shonagh Price.

A pertinent question of the times, the ambiguity of morality, and the classic example of how low someone can stoop when they look to revenge; all this against the backdrop of island life in the shadow of murder, of the slow decline of the human mind, and the tensions that run high when an island’s life is supposedly threatened by a returning, and unwanted, soul.

Schattenmann, Chaos. Album Review.

Liverpool Sound and Vision Rating * * * *

One person’s chaos is another’s organised anarchy, and for the one who stands between the two states of being, it is the upheaval of the tornado of souls that scatters all life around them who can, for a while at least, appreciate the natural order of division.

Chaos, Schattenmann’s third studio album, is a combination of high intensity metal, but one delivered with the preciousness of steadfast observation in a world that requires tough love, but one that also feels that art and all its creativity is a finer way to show humanity and civilisation that quite often that what we perceive as chaos is actually continual revolution.