Tag Archives: Shannon Tarbet

Killing Eve: Series Two. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Sandra Oh, Jodie Comer, Fiona Shaw, Kim Bodnia, Owen McDonnell, Sean Delaney, Edward Bluemel, Henry Lloyd-Hughes Nina Sosanya, Adrian Scarborough, Jung Sun den Hollander, Emma Pierson, Adeel Akhtar, Shannon Tarbet, Zoe Wanamaker, Nickolas Grace, Julian Barratt, Nigel Betts, Barbara Flynn.

A new television serial might be a hit with viewers from the start, the initial rush of congratulations could well be deserved, but there is always a nagging doubt that it is born of quick sensationalism, rather than the embrace of complexity, a character who titillates rather than nourishes, and whilst in a modern world there is no problem with the idea of shock tactics to win over an audience, it can leave others feeling cold, numb to the pressure to enjoy.

Collette. Film Review.

Liverpool Sound and Vision Rating

Cast: Keira Knightley, Fiona Shaw, Dominic West, Eleanor Tomlinson, Jake Graf, Rebecca Root, Robert Pugh, Julian Wadham, Sloan Thompson, Arabella Weir, Mate Haumann, Ray Panthaki, Al Weaver, Virag Barany, Dickie Beau, Kylie Watt, Janine Harouni, Joe Geary, Aiysha, Denise Gough, Shannon Tarbet.

The voice of the lost author, the ghost writer, the one who lends their talent to a less than able conjurer of words is often overlooked by history because they are held in a manner of bondage, the current term of such branded captivity is that it is good for exposure, that the remuneration received is surely enough; whatever way you look upon it, regardless of the gender of the person involved, it amounts to the same thing, a literary captivity, the suppression of acknowledgement, of gilded slavery.

Rellik. Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Richard Dormer, Jodi Balfour, Paterson Joseph, Laerke Winther, Shannon Tarbet, Ray Stevenson, Kieran Bew, Michael Wildman, Joseph Macnab, Peter Coe, Alex Gillson, Tuncay Gunes, Susan Hughes, Faye Castelow, Mimi Ndiweni, Annabel Bates, Rosalind Eleazar, Paul Rhys, Tanya Reynolds, Clive Russell, Charlotte Dylan, Michael Shaeffer, Clare Holman, Rebecca Lacey, Reece Ritchie.

 

River, Television Review.

Liverpool Sound and Vision Rating * * * * *

Cast: Stellan Skarsgård, Nicola Walker, Lesley Manville, Eddie Marsan, Adeel Akhtar, Owen Teale, Georgina Rich, Michael Maloney, Turlough Convery, Sorcha Cusack, Jim Norton, Steve Nicolson, Josef Altin, Peter Bankole, Pippa Bennett-Warner, Lydia Leonard, Franz Drameh, Shannon Tarbet, Steve Edwin, Souleiman Bock, Andrew Byron, Andrew Byron, Ali Craig.

The fine line between genius and insanity is never truly explored on television unless it is in the form of a great detective and for those there are too few to whom the reason for their own peculiarities are ever given credence or perhaps respect.

A View From The Bridge, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Bruce Alexander, Andy Apollo, Jason Carragher, Callum Coates, Daniel Coonan, Julia Ford, Scott Hazell, Lloyd Hutchinson, Denise Kennedy, Tom Peters, Joe Ringwood, Shannon Tarbet, Liam Tobin, Daryl Wafer.

Arthur Miller’s plays are such that to miss out on a production of them is simply not good form. All you really need to know about life in the United States in the 20th Century can be found in the writings of one of the keenest minds of the time and his look at certain frailties of life, emasculation, deceit, dishonour and the destruction of a system that was corrupt and hopelessly out of touch with his thinking, are repeated over and again in the hope that someone, anyone might understand what is going wrong in the country.

Mary Shelley, Theatre Review. Playhouse Theatre, Liverpool.

Photographer: Robert Day

Originally published by L.S. Media. May 9th 2012.

L.S. Media Rating *****

Cast: Kristen Atherton, William Chubb, Ben Lamb, Flora Nicholson, Sadie Shimmin, Shannon Tarbet.

To take the life of one of Britain’s foremost radical and supreme female writers of the last 200 years and present it as a dramatic and inspiring piece of theatre takes incredible fortitude, guile, a cast of infinite quality and a writer whose work is undoubtedly amongst the best in the country right now.

In Helen Edmundson’s Mary Shelley at the Liverpool Playhouse, the audience was treated rather spectacularly to all of the above and then some.