Tag Archives: Series Two

Screw. Series Two. Television Drama Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Nina Sosanya, Jamie-Lee O’Donnell, Laura Checkley, Faraz Ayub, Stephen Wright, Ron Donachie, Ben Tavassoli, Lee Ingleby, David Judge, Barnaby Kay, Nicholas Lumley, Chicho Tche, James Foster, Bill Blackwood, Mark Newsome, Nathan Vaughan Harris, Riley Carter Millington, Leo Gregory.

The representation of the British penal policy can be traced through almost every genre and system of delivery known to media as one of progression and brutal truth.

The Great (Series Two). Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Elle Fanning, Nicholas Hoult, Phoebe Fox, Sacha Dhawan, Gwilym Lee, Adam Godley, Douglas Hodge, Belinda Bromilow, Ramon Tikaram, Gillian Anderson, Bayo Gbadamosi, Florence Keith-Roach, Charity Wakefield, Danusia Samal, Claira Watson Parr, Tristan Bent, Jane Mahady, Julian Barratt, Alistair Green, Timoth Walker, Louis Hynes, Ali Ariaie, Eloise Webb, Dina Al Salih, Anthony Welsh, Keon Martial-Phillip, Freddie Fox, Grace Molony, Blake Harrison, Jason Issacs, Dean Nolan.

The Capture. Television Review. Series Two.

Liverpool Sound and Vision Rating * * * * *

Cast: Holliday Grainger, Paapa Essiedu, Ben Miles, Lia Williams, Ron Perlman, Cavin Clerkin, Ginny Holder, Nigel Lindsay, Peter Singh, Lewis Kirk, Daisy Waterstone, Charlie Murphy, Indira Varma, Andy Nyman, Tessa Wong, Natalie Drew, Joseph Arkley, Harry Michell, Keira Chansa, Jack Sandle, Rob Yang, Joseph Steyne, Darren Bancroft, Angus Wright, Claire Price, Sam Hoare, Chris Corrigan, Ocean M Harris, Amy Conachan, Gemma Dyllen, Kammy Darweish, Bodhi Rae Breathnach, Cory Peterson, Archie Costelloe, John King, Bonnie Baddoo, John King, Christopher Torretto, Andrew Joshi, Sandra James-Young, Henry Goodman, Joanna Burnett, David Yip.

The Outlaws (Series Two). Television Review.

Liverpool Sound and Vision Rating * * * * *

Cast: Rhianne Barreto, Darren Boyd, Gamba Cole, Charles Babalola, Jessica Gunning, Stephen Merchant, Clare Perkins, Eleanor Tomlinson, Christopher Walken, Grace Calder, Aiyana Goodfellow, Dolly Wells, Kojo Kamara, Tom Hanson, Ian McElhinney, Nina Wadia, Guillermo Bedward, Isla Gie, Gyuri Sarossy, Marcus Fraser, Lois Chimimba, Amanda Drew, Claes Bang, Joseph Passafaro, Chicho Tche, Jessica Boyde, Rufus Wright, Chloe Partridge, Rosa Robson, Julia Davis, Verity Blyth, Jonny Weldon, Gabrielle Sheppard.

Raised By Wolves: Series Two. Television Review.

Liverpool Sound and Vison Rating 8.5/10

Cast: Amanda Collin, Abubaker Salim, Winta McGrath, Travis Fimmel, Niamh Algar, Jordan Loughran, Felix Jamieson, Ethan Hazzard, Aasiya Shah, Ivy Wong, Matias Varela, Loulou Taylor, Susan Danford, Litha Bam, Shoko Yoshimura, Jenna Upton, Daniel Lasker, Garth Breytenbach, Clayton Evertson, Morgan Santo, Peter Christoffersen, Carel Nel, Selina Jones, James Harkness, Kim Engelbrecht.

Broadchurch, Series Two, Episode One. Television Review.

 

Liverpool Sound and Vision Rating 9/10

Cast: David Tennant, Olivia Coleman, Jodie Whittaker, Andrew Buchan, Charlotte Beaumont, Tanya Franks, Carolyn Pickles, Jonathan Bailey, Joe Sims, Arthur Darvill, Simone McAullay, Charlotte Rampling, Eve Myles.

You can always rely on Chris Chibnall to throw a rather large spanner into the works. Not content with bringing one of the best detectives and certainly one of the most unique series to British television in 2013, he now invites all to revisit Broadchurch for a second time, and by doing so, throws everything that the viewer thought they knew completely and utterly into a frenzied doubt.

The Bletchley Circle. Series Two, Episodes Three And Four. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Julie Graham, Rachael Stirling, Hattie Morahan, Sophie Rundle, Faye Marsey, David Hounslow, Nik Blood, Edyta Budnik, Brana Bajic, Orestes Sophocleous, Ian Stuart Robertson, Rupert Holliday, Michael Wedder.

With Anna Maxwell Martin’s character having departed the confines of London to go abroad with her husband, the team is one woman short but where better to look for a replacement than the colleague the women of The Bletchley Circle saved from hanging in the previous two part story.

Ripper Street, Am I Not Monstrous? Series Two. Television Review. B.B.C. Television.

Liverpool Sound and Vision Rating * * * *

Cast: Matthew Macfadyen, Jerome Flynn, Adam Rothenberg, MyAnna Buring, Joseph Mawle, Clive Russell, David Wilmot, Anton Lesser, Damien Molony Gillian Saker, Nicholas Woodeson, Tom Brook, Elva Trill, Paul Ready, David Dawson.

The past certainly is another country, not only do they do things differently there, but when it comes to Victorian society and the way they treated the more unfortunate members of society it may as well be on a land mass on a another planet in a far off galaxy.

Jago And Litefoot: The Theatre Of Dreams. Series Two, Big Finish Audio Play.

Liverpool Sound and Vision Rating 7/10

Cast: Christopher Benjamin, Trevor Baxter, Lisa Bowerman, Duncan Wisbey, Conrad Asquith, Jennie Stoller, Alex Mallinson.

It seems that the theatre can be bad for the health; especially when it involves the Theatre De Fantasie and Henry Gordon Jago’s desire and yearning to be back on top of the impresario game.

Series Two of Jago and Litefoot’s enquiries into the world of the infernal and nefarious leads neatly to the stage where a slight supposed diversion, a chance for the action to become diverting enough before the final curtain comes down with an enjoyable story by Jonathan Morris which tests the wits and friendship of the two investigators in The Theatre Of Dreams.

Jago And Litefoot, The Necropolis Express. Series Two, Big Finish Audio Play.

Liverpool Sound and Vision Rating 9/10

Cast: Christopher Benjamin, Trevor Baxter, Lisa Bowerman, Vernon Dobtchef, David Collings, Alex Mallinson.

One of the most powerful images of pre-20th Century medical advancement is that of the body-snatcher, the ghoulish purveyors of the recently deceased and comfortable in their new home six feet underground to the medical profession, especially those of impoverished students for research purposes has never been looked at favourably or with rose tinted eyes. What it has done though has given cinema and audio drama the great lease of life in which to scare audience’s silly.