Tag Archives: Nicholas Shaw

Rutherford & Son, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Barrie Rutter, Nicholas Shaw, Andrew Grose, Sara Poyzer, Kate Anthony, Catherine Kinsella, Richard Standing, Gilly Tompkins.

Not for nothing was Githa Sowerby compared to Henrik Ibsen, the father of theatre realism. Her play Rutherford & Son was a powerful statement in a world where the writing of a female playwright was not expected to be as bold, so groundbreaking in its fury at a world that put male pride and arrogance before the thought of the family. The absolute realism she bought to her characters, especially that of the bombastic and near tyrannical father John Rutherford, the anguish and near heart breaking life of his daughter Janet and that of the stranger to the house, the woman who makes the Faustian-like pact with her father-in-law when all else around her goes awry, the woman whose head for business sees her keep a roof over her head, the young Mary.

Liverpool Favourites Northern Broadsides Return To The Playhouse With Rutherford & Son.

The incomparable Northern Broadsides return to Liverpool with an adaptation of Githa Sowerby’s powerful domestic drama Rutherford & Son. Under the direction of the esteemed Jonathan Miller, and featuring Barrie Rutter in the lead role, this critically acclaimed production comes to the Playhouse from Tuesday 21st to Saturday 25th May.

After the runaway success of last year’s A Government Inspector, the Liverpool Playhouse plays host to Northern Broadsides once more, this time with Rutherford & Son. This powerful drama written and set in the North of England, 1912, is an unflinching portrayal of an industrial Edwardian family on the brink of collapse.

‘Tis Pity She’s A Whore. Theatre Review. Everyman Theatre, Liverpool.

Originally published by L.S. Media. September 21st 2010.

Cast: Ken Bradshaw, Kevin Harvey, Matti Houghton, Paul McCleary, Eileen O’Brien, Emily Pithon, Stuart Richman, Nicholas Shaw, Hugh Skinner.

The Everyman theatre is well renowned for its staging of hard, gritty and sometimes disturbing plays. None so more perhaps than the opening play of the new season, John Ford’s ‘Tis Pity She’s A Whore.

There may be those who would shy away from the subject of incest, murder and impinging insanity but director Chris Meads has built a reputation for getting the best out of actors even in the most unusual of plays and in Tis Pity he has struck gold again with a cast that tackles some of humanity’s base instincts and wanton desires.