Tag Archives: Nicholas Gleaves

After The Flood. Television Drama Review.

Liverpool Sound and Vision Rating 5/10

Cast: Sophie Rundle, Matt Stokoe, Jonas Armstrong, Lorraine Ashbourne, Philip Glenister, Daniel Betts, Arthur McBain, Tripti Tripuraneni, Jaqueline Boatswain, James Quinn, Heider Ali, Maui Connock, Anita Adam Gabey, Nicholas Gleaves, Steve Cooper, Jeanette Percival, George Bukhari, Ray Castleton, Sara Beasley, Jake Whitehurst.

The build-up in tension that comes from a promise of a modern-day disaster requires to always be delivered. Failure to underline and provide the ending to which many have expected, replacing it with a noting more than a wishy-washy explanation is detrimental to the time and care placed before the viewer, and leaves a taste in the mouth that is overall, unforgiveable.

Spiderman: Far From Home. Film Review.

Liverpool Sound and Vision Rating 9/10

Cast: Tom Holland, Samuel L. Jackson, Jake Gyllenhaal, Marisa Tomei, Jon Favreau, Zendaya, Jacob Batalon, Tony Revolori, Angourie Rice, Remy Hii, Martin Starr, J.B. Smoove, Jorge Lendeborg Jr., Colbie Smulders, Numan Acar, Zach Barack, Zoha Rahman, Yasmin Mwanza, Joshua Sinclair-Evans, Sebastian Viveros, Toni Garrn, Peter Billingsley, Clare Dunne, Nicholas Gleaves, Claire Rushbrook, J.K. Simmons, Dawn Michelle King.

Bodyguard. Television Review.

Liverpool Sound and Vision Rating * * * * *

Cast: Richard Madden, Keeley Hawes, Gina McKee, Sophie Rundle, Paul Ready, Vincent Franklin, Stuart Bowman, Nina Toussaint-White, Stephanie Hyam, Tom Brooke, Matt Stokoe, Pippa Haywood, Nicholas Gleaves, Shubham Saraf, Claire-Louise Cordwell, Michael Schaeffer, Richard Riddell, David Westhead, Anji Mohindra.

Midsomer Murders: Death By Persuassion. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Neil Dudgeon, Nick Hendrix, Fiona Dolman, Samuel West, Susie Blake, Abigail Cruttenden, Claire Skinner, Nicholas Gleaves, Georgie Glen, Chris Lew Kum Hoi, John Macmillan, Anamaria Marinca, Paul Shelley, Thalissa Teixera, Karl Theobald, Jodie Tyack, Lotte Rice.

You can arguably do no wrong by having the name Jane Austen come to lips of those you are indebted to performing in front of; a sure-fire winner, only the Brontes could lead the television or cinema audience to sit up and take notice more readily, even the most tenuous link will do, and it is that the scriptwriters have a moral duty to not let the work descend into a screenplay anarchy, dependent upon creating a pastiche which is below gratitude and honour to the much-loved writer, which sparks of desperation and folly.