Tag Archives: Nathan Fillion

Guardians Of The Galaxy: Vol .3. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Chris Pratt, Karen Gillan, Chukwudi Iwuji, Zoe Saldana, Bradley Cooper, Pom Klementieff, Dave Buatista, Vin Diesel, Maria Bakalova, Sean Gunn, Will Poulter, Elizabeth Debicki, Sylvester Stallone, Linda Cardellini, Asim Chaudhry, Mikaela Hoover, Judy Greer, Nathan Fillion, Benjamin Byron Davis, Molly C. Quinn.

From surprise smash hit to mainstay of the franchise, Guardians Of The Galaxy has done enough to be equal to many of the tales brought to life from the graphic novels of Marvel to the big screen, and perhaps in timely honour, it is only right that the final scenes, for now at least, have seen the mixed bag of characters endear themselves into the public perception.

Resident Alien. Series Two. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Alan Tudyk, Sara Tomko, Corey Reynolds, Alice Wetterlund, Levi Fiehler, Judah Prehn, Elizabeth Bowen, Meredith Garretson, Gary Farmer, Diane Bang, Jenna Lamia, Kaylayla Raine, Gracelyn Awad Rinke, Alex Barima, Linda Hamilton, Mandell Maughan, Sarah Podemski, Deborah Finkel, Ben Cotton, Justin Rain, Trevor Carroll, Alvin Sanders, Terry O’ Quinn, Nathan Fillion, Nicola Correia-Damude, Michael Cassidy, Kesler Talbot, David Bianchi, Enver Gjokaj, Jan Boss, John Innes, Paul Piaskowski, Robert Moloney, Eleanor Walker, George Takei.

Much Ado About Nothing, Film Review. FACT Cinema.

Liverpool Sound and Vision Rating * * * *

Cast: Alex Denisof, Amy Acker, Nathan Fillion, Clark Gregg, Reed Diamond, Fran Kranz, Jillian Morgese, Sean Maher, Spencer Treat Clark, Riki Lindhome, Ashley Johnson, Emma Bates, Tom Lenk, Nick Kocher, Joshua Zar, Paul Meston, Romy Rosemont, Elsa Guillet-Chapuis.

Quite simply, every actor and director really wants to get their hands on big budget version of one of William Shakespeare’s works. The doom laden chorus who persistently suggest that the man, who along with William Tyndale can be seen as one of the fathers of modern English, is not hip, not important enough to young cinema goers and that the language leaves people cold, could do worse than actually attend the screening of Much Ado About Nothing as it revels in the language, makes it completely accessible and performs superbly.