Tag Archives: Martin Hutson

Endeavour: Terminus. Television Review.

Liverpool Sound and Vision Rating * * * * *

Cast: Shaun Evans, Roger Allam, Sean Rigby, Anton Lesser, James Bradshaw, Caroline O’ Neill, Sara Vickers, Adam Ewan, William Sebag-Montefiore, Anna Burnett, Adam Mirsky, Ray Emmet Brown, Chirag Lobo, Martin Hutson, Marion Bailey, Matthew Marsh, Ben Bishop, Estelle Daniels, Jennifer Kirby, Abigail Thaw, Anthony Flanagan.

When one of the great detectives of British television pays homage to one of the finest, if not the best of murder mystery writers, the outcome, can either be one of forced recoil, almost a cringe of mixed volatility, or as in the case of the Endeavour episode Terminus, can leave the armchair detective almost hugging themselves with glee as the script unfolds, loving the delicate balance created between sheer admiration and genuine impressive insight.

Doctor Who: Philip Hinchcliffe Presents… The Ghosts of Gralstead. Audio Drama Review. Big Finish.

Liverpool Sound and Vision Rating * * * *

Cast: Tom Baker, Louise Jameson, Carolyn Seymour, Gethin Anthony, Martin Hutson, Emerald O’ Hanrahan, Alan Cox, Ivanno Jeremiah, Andy Secombe, Sean Carlsen, Andrew French, Mandi Symonds.

The fourth Doctor was arguably never better than when thrust into the tale of the Gothic persuasion. It was a running theme throughout his tenure in the shoes of the Timelord that the Gothic, in one shape or another would feature heavily and the macabre would be accompanying with relish.

The Avengers: The Lost Episodes, Dance With Death. Audio Drama Review. Big Finish.

Liverpool Sound and Vision Rating * * * *

Cast: Anthony Howell, Julian Wadham, Lucy Briggs-Owen, Jaqueline King, Dan Starkey, Cameron Stewart, Anjella Mackintosh, Gemma Whelan, Derek Carlyle, Martin Hutson, Francesca Hunt, Penelope Rawlins, Terry Malloy, Michael Hrycek-Robinson.

There is nothing quite like the dance floor to bring out the murderer in the dark heart of the criminal mastermind, the quick step or the rumba to get the killer in the mood for a spot of the gamble and the gambol whilst they search for riches, no matter who gets in their way.

The Avengers: The Lost Episodes Volume 2. Please Don’t Feed The Animals. Audio Drama Review. Big Finish.

Liverpool Sound and Vision Rating * * * *

Cast: Anthony Howell, Julian Wadham, Lucy Briggs-Owen, Martin Hutson, Richard Hope, Alisdair Simpson, Rosanna Miles, Penelope, Rawlins, Jonathan Forbes, Derek Carlyle, Nigel Carrington, Terry Malloy.

There is nothing quite like the intrigue that a good spy story to bring to the collective conscious of a nation. Whether based in the murky world of politics or in industrial espionage, a mole in the machine is one to in which the public salivates over with the kind of relish normally reserved for the most salacious of tabloid journalism. For The Avengers, all of that intrigue is one in which was a daily occurrence, something to be taken seriously and for the listener become an infiltrator of the very best kind.

Antony And Cleopatra, Theatre Review. Liverpool Playhouse

Picture from bbc.co.uk

Originally published by L.S. Media.

Cast: Kim Cattrall, Jeffrey Kissoon, Ian Hogg, Martin Hutson, Martin Herdman, Aicho Kossoko, Gracy Goldman, Muzz Khan, Offue Okegbe, Bhasker Patel, Simon Manyonda, Mark Sutherland, Alex Blake, Robert Orme, Ross Armstrong, Mark Gillis.

If ever there was a title contender for most eagerly awaited play to hit Liverpool, then surely Janet Suzman’s directorial adaption of William Shakespeare’s Antony and Cleopatra would sweep everything else aside.

Doctor Who, The Fourth Wall. Big Finish 157 Review.

picture from sci-fi-online.com

Originally published by L.S. Media. February 6th 2012.

L.S. Media Rating ****

Cast: Colin Baker, Lisa Greenwood, Julian Wadham, Yasmin Bannerman, Hywel Morgan, Martin Hutson, Tilly Gaunt, Kim Wall, Henry Devas.

There is always talk of when an actor breaks the “fourth wall”, that twilight line between perceived reality of the stage and the moment when the audience is drawn in and spoken to in such a way that they are no longer interested voyeurs taking in the action, they are part and parcel of the storyline. They are the 12th man on the pitch, the Banquo at the Banquet and they are involved, sometimes up to their necks.