Tag Archives: Liverpool

Ibiza To the Norfolk Broads, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Alex Walton. Rob Newman, Margaret Campbell.

We all have something we use to get us through the day, that one powerful pull in which insists that we can be better than the sum of our parts or the total of fears, in which guides us towards the light with a smile or which holds on to our soul when we become too fascinated with the dark and its surroundings; the day we lose that final piece of the puzzle which has made us whole, is the day we have to admit we have lost.

Jersey Boys, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Michael Watson, Simon Bailey, James Winter, Karl James Wilson, Stephen O’ Brien, Joel Elferink, Mark Heenehan, Arnold Mabhena, Tara Young, Olive Robinson, Amy Thiroff, Dan O’ Brien, Peter Nash.

Musicians: Francis Goodhand, Tom Theakston, Sarah Burrell, Christian Sutherland, Iestyn Jones, Samuel Firsht.

There are many voices, lauded, passionate, full of life, that we hear every day, their songs enthral us, unite us, remind of what it is too feel, to be part of something bigger that we might believe ourselves to be. What we do forget though is the stories behind those voices, we forget as we listen to our favourite song or sit in the blissful memory of a tune that transports us back in time, that the songs came from somewhere deep and personal, that they are the product of a moment that is forever framed.

The Selecter, Gig Review. The Olympia, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Art Comes First, those three words must be true, not only does the enigmatic and iconic Pauline Black declare it on the back of her jacket inside the Liverpool Olympia, in her presence on stage, in the way this woman to whom the world stops and trembles because of her honest and forthright views, shouted in many different phrases between songs, the small whisper of love and the wonderful sneered boom of derision to those who make life difficult for anyone who has an ounce of creativity in their bones.

The Beat, Gig Review. The Olympia, Liverpool.

Liverpool Sound and Vision Rating * * * *

The beat remains important, without it, without that palpitation in the chest, the rhythm in the soul and the expectation of the overwhelming passion for life, then what is the point of existence, it would just come down to a series of 0 and 1s, to the coldness of science and the drudgery of only letting off steam in a calculated, disciplined way. The beat, that recurring, rhythmic resonating in each of us if we listen closely, that is the sound of being alive and passionate. It is sound that The Beat remember and offer with charm and dexterity of purpose and it is still the one that snaps the fingers and makes the heart jump for joy.

Baskerville: A Sherlock Holmes Mystery, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Jay Taylor and Patrick Robinson as Sherlock Holmes and Doctor John Watson in Baskerville: Photograph by Ellie Kurttz.

Cast: Bessie Carter, Edward Harrison, Ryan Pope, Patrick Robinson, Jay Taylor.

There is a demonic howl that punctures the thick Devonshire Fog and finds the way to install the first wave of fear in a man’s heart, the moors have the air of the unnatural and spectral feeling its way like spindly fingers through a solid, almost impenetrable web, the hand upon the shoulder, the heavy, phantom breathing of the curse that has weaved its way into the family history is close by and the eyes start to glow blood red, evil and death locked in its slavering, hungry teeth.

Peter Pan, Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Dane Bowers, Claire Simmo, Lewis Pryor, Joanne Harper, Michael Chapman, Georgia Austin, Chris Barton, Eleiyah Navis, Adam Coyne, Alliyah Hennessey, Libby Sunter, Faye Keating, Rachel Heron, Libby Walker, Liv Baccino, Beth Baccino, Jacob Robinson.

Humanity needs more people who see the world through the same eyes, the same clarity of vision that author and playwright J.M. Barrie did when he created the characters of Peter Pan, Captain Hook, Wendy Darling and Tinker Bell, perhaps then it might not be so centred on greed and destruction. Instead, as is always hoped for at this time of year, the pull of being decent, of holding out a hand to a fallen lost boy or fellow darling, is the right way to be. It is an ideal, of being brave in a world of adults, cutlasses and poison, of listening to your heart, of believing and one that Peter Pan flies high.

Kate Rusby, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

Christmas means something different to everybody, whether they celebrate it or not, whether it is in the joy of family, togetherness, being with friends, surrounded by strangers but with a common love in which to bond, or in just the thought of a set of songs that grab their attention and make the time of year more thoughtful, reflective, even for some bearable. Music is what binds all when the first drops of snow hit the ground and the carol singers can be found with lamps in hand, a weapon against the darkness of the northern sky.

Beauty & The Beast, Theatre Review. The Black-E, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Tori Hargreaves, Nick Langmead, Jamie Greer, Adam McCoy, Helen Carter, Alan Stocks, Ciaran Kellgren, Brandon Incles, Libby Fairhurst, Michael Hall, Shannon McFadden.

There is a monster in all of us, a beast to whom only the love of one person can fight hard enough to quell and set on a course to love and to being the person we wish to be seen as by the rest of the world. To find such a person is sometimes all we can hope for, it is the very essence of our time, to have, to hold, to rip off the mask we have put to keep the hurt at bay.

Mother Goose, Theatre Review. The Casa, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Bob Towers, Edmund O’ Hare, Teneye Alvarado, Maggi Green, Charlotte Thomas, George Melling, P.J. Murray, Yahya Baggash, Peter Durr.


The song is right, it is the most magical time of the year, one in which we come together to hopefully remember what true message is, one not to be sucked into a world of commercialism, one not to be in the grip of debt, not one to be feel the need to be greedy or over burdened by the selfishness of others. Just one that allows the heart to find forgiveness to others and to yourself, one that in which children and adults alike can find the delight in time together and one which even in the depths of a snow filled scene can lead to a love that might not thought possible.

Enjoy A Dickensian Adventure With Lovehistory This Christmas.

Lovehistory’s Popular Ghosts Of Christmas Past Open Now At St. George’s Hall.

Lovehistory return with another instalment of Dickens Christmas fun this holiday season with their festive production The Ghosts of Christmas Past, at Liverpool’s St. George’s Hall which is open now until Wednesday 13th December.

The creative minds behind 2015’s Dickensian Christmastime and the ever-popular Murder at St. George’s Hall and Catacombs of Liverpool’s Darkest History series present their latest immersive promenade production.