Tag Archives: Kate Anthony

The Couple Next Door. Television Drama Review.

Liverpool Sound and Vision Rating 9/10

Cast: Sam Heughan, Eleanor Tomlinson, Jessica De Gouw, Alfred Enoch, Hugh Dennis, Kate Robbins, Joel Morris, Janine Duvitski, Ionna Kimbrook, Daniel Bell, Deirdre Mullins, Mark Frost, Andrew Woodall, Anastasia Hille, Katie-Clarkson-Hill, Noah Holdsworth, Stephanie Street, Clare Burt, Ellie Lucia Mcardle, James Doherty, Aimé Claeys, Ali Ariaie, Dario Coates, Paul Dunphy, Geoffrey Breton, Lauren Douglin, Teli Jalloh, James Burrows, Kate Anthony, Sarah Gallagher, Leila Mimmack, Robert Whitelock, Emma Moortgat, Henry Regan, Helene Maksoud, Elise van Lil, Jade Greyul, Andrew Sheridan, Rob Oldfield, Ace Bhatti.

When We Are Married, Theatre Review. Playhouse Theatre, Liverpool. (2016).

Liverpool Sound and Vision Rating 8.5/10

Cast: Kat Rose-Martin, Luke Adamson, Sophia Hatfield, Mark Stratton, Geraldine Fitzgerald, Adrian Hood, Sue Devaney, Steve Huison, Kate Anthony, Lisa Howard, Matthew Booth, Barrie Rutter, Zoe Lambert, John Gully, Andy Hall.

Mr. J. B. Priestley never fails to deliver, even if there are those out in the dark who fail to get the nuance of the times and denounce the clever introspection the playwright had on British Society and making it look back on its own peculiarities and diminishing importance on the future. Whereas the epic An Inspector Calls is very much in the calm outraged camp, the heated tongue of a barracking old outdated ways of thought, his classic drawing room comedy When We Are Married is firmly in the chaotic tranquillity mode and it is one that never loses its heart, especially not in the hands of the superb Northern Broadsides.

Rutherford & Son, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Barrie Rutter, Nicholas Shaw, Andrew Grose, Sara Poyzer, Kate Anthony, Catherine Kinsella, Richard Standing, Gilly Tompkins.

Not for nothing was Githa Sowerby compared to Henrik Ibsen, the father of theatre realism. Her play Rutherford & Son was a powerful statement in a world where the writing of a female playwright was not expected to be as bold, so groundbreaking in its fury at a world that put male pride and arrogance before the thought of the family. The absolute realism she bought to her characters, especially that of the bombastic and near tyrannical father John Rutherford, the anguish and near heart breaking life of his daughter Janet and that of the stranger to the house, the woman who makes the Faustian-like pact with her father-in-law when all else around her goes awry, the woman whose head for business sees her keep a roof over her head, the young Mary.