Tag Archives: Ivanna Sakhno

Ahsoka. Television Series Review.

Liverpool Sound and Vision Rating 9/10

Cast: Rosario Dawson, David Tennant, Natasha Liu Bordizzo, Mary Elizabeth Winstead, Ray Stevenson, Ivanna Sakhno, Diana Lee Inosanto, Eman Esfandi, Hayden Christensen, Nican Robinson, Evan Whitten, Lars Mikkelsen, Genevieve O’Reilly, Paul Sun-Hyung Lee, Jeryl Prescott, Claudia Black, Jane Edwina Seymour, Wes Chatham, Nelson Lee, Paul Darnell, Maurice J. Irvin, Clancy Brown, Anthony Daniels.

The Mandalorian and Andor proved it, and Dave Filoni’s Ahsoka has doubled down with force on the insistence, but Star Wars as an entity no longer requires the presence of Luke Skywalker, General Leia Organa, or even Han Solo in starring roles to carry the much loved and admired franchise forward.

The Spy Who Dumped Me. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Mila Kunis, Kate McKinnon, Justin Theroux, Sam Heughan, Hasan Minhaj, Gillian Anderson, Dustin Demri-Burns, Mirjam Novak, Jane Curtin, Paul Reiser, Ivanna Sakhno, Fred Melamed, James Fleet, Carolyn Pickles, Justin Wachsberger, Kevin Ezekiel Ogunleye, Tom Stourton, Roderick Hill, Olafur Darri Olafsson.

When a film doesn’t know what it wants to be, perhaps the best thing that an audience can do is allow it to flow naturally and under its own progression. Putting a film into a genre specific box sometimes doesn’t fit, too many square edges, a piece of corner missing, and allusion to subtext which has no space to breathe; and yet flow it does, it somehow squeezes past defiance and nestles in the hole it has walked with confidence into and refuses to budge.

Pacific Rim Uprising. Film Review.

Liverpool Sound and Vision Rating * * *

Cast: John Boyega, Scott Eastwood, Cailee Spaeny, Burn Gorman, Charlie Day, Tian Jing, Zin Zhang, Adria Arjona, Rinko Kikuchi, Karen Brar, Wesley Wong, Ivanna Sakhno, Mackenyu, Lily Ji, Shyrley Rodriguez, Rahart Adams, Levi Meaden, Dustin Clare, Chen Zitong.

There are films that come out of the imagination in which the viewer is perfectly aware of the debt they owe to other cinematic releases, of the plot line and the likelihood of the character’s chances of survival, of the overall plot line, whether it be paper thin or elaborately complex in the writer’s eyes, such films are bread and butter, they are the popcorn and the go to safety net in which to feel the thrill but not ask too many questions afterwards.