Tag Archives: Graham Holland

Revolver At 50, Gig Review. Various Artists, Leaf, Liverpool.

Liverpool Sound and Vision Rating * * * * *

In the comfortable surroundings of one of the City’s less obvious gig venues, the clamour of evening tea and daily tasked conversation rising just as the summer moon makes it’s appearance in the Liverpool sky, the upstairs at Leaf, always the height of serenity and musical appreciation, became an oasis for memory, contemplation and praise, as Revolver, The Beatles 7th studio album was lauded and acclaimed by the packed out audience and as each song was performed by some of the very great talents in the Liverpool music community, there was undoubtedly, beautifully, magic in the Merseyside air.

Austrian Guitar Sensation To Hold U.K. Launch Of New Album In Liverpool.

Austrian guitar sensation Tom Strasser will be holding the U.K. launch of his new album at Liverpool Acoustic Live on Friday 27th June 2014 at Mathew Street’s View Two Gallery.

Tom Strasser last played in Liverpool in August 2012 and caused FATEA Magazine reviewer Peter Cowley to write “Fabulous stuff – if you ever get the chance to see Tom, do so, because he will blow you away.” Tom is currently touring Europe to promote his new album Second Thoughts and has chosen Liverpool as the place to launch it in the U.K.

Mark Poutney, Mark One. Album Review.

First published by Liverpool Acoustic on April 5th 2014.

Rating 9/10

Some performers ooze class without even having to play a cord or a single note. Of course when they do put together the start of a new song that you just know is going to capture the imagination and playful tug at the heart strings the only decent thing to do, the only courteous action to take is to wallow in the core of something either incredible or beautiful or…if you are really fortunate, both.

John R. Chatterton, Gig Review. Bluecoat Gardens, Liverpool. Liverpool International Music Festival.

Liverpool Sound and Vision Rating * * * *

John R. Chatterton has the unnerving ability to make songs that you have listened to perhaps a million times before sound somehow fresh and new. Tracks, that despite having been on the end of radio play and being sat in people’s records collections gathering dust, mean a great deal to people but have become stale and repetitive. In the hands of this superb musician, the music, his own compositions and those he covered were played with aplomb, a defining skill and instrumental ability that is hard to imagine anybody else being able to do.