Tag Archives: Everyman Theatre

2018 Applications Now Open For Award-Winning Young Everyman Playhouse Programme.

As U.K. Theatre celebrated #InspiringFutureTheatreDay on Wednesday 11th July, young theatre-makers can now apply to be part of the Liverpool Everyman & Playhouse’s Young Everyman Playhouse (YEP) Programme for 2018.

The six-strand programme is designed to develop and nurture young theatre makers of the future, through a hands-on course giving YEP members real-life experience of working in regional theatre.

With the guidance of experienced theatre staff aspiring actors, directors, technicians, producers, writers and marketers are given the opportunity to learn new skills, working on real-time productions throughout the course.

Golda Rosheuvel To Perform As Female Othello In Gemma Bodinetz’s Production Of Shakespearean Tragedy.

        Gemma Bodinetz directs first Shakespeare since her production of Twelfth Night to open the new Everyman in 2014.

The first female Othello in a major production will be brought to the Everyman stage this May, as Golda Rosheuvel performs in a challenging and timely adaptation of one of Shakespeare’s most famous plays.

Directed by Gemma Bodinetz, winner of Best Director at the 2017 U.K. Theatre Awards, the production is the third in a series of four plays by the Everyman Company in 2018. Using the original script the Company will explore themes of love, power, jealousy and deception synonymous with the Shakespearean tragedy.

Liverpool Sound And Vision Review Of 2017.

The year has perhaps been one of diverse feelings across the board in Liverpool, one in which reflection, triumphant returns, masterpieces and some sadness has been experienced. The Playhouse Theatre has undergone work for a while and yet held inside its doors one of the most magnificent scenes caught on camera as Annette Bening and Jamie Bell recreated one of the last days of the film star Gloria Graham for the cinematic love letter, Film Stars Don’t Die In Liverpool. The much loved Unity Theatre closed its doors for a time and reopened with a flourish as it too underwent a change in its decor and look and yet still retains the welcome that makes it one of the places to visit in the city.

Man To Man Explores Gender And Identity At The Everyman Theatre.

A play based on the true story of one woman’s struggle through Nazi Germany will be brought to the stage in Liverpool, before heading across the Atlantic to New York

Man to Man, a Wales Millennium Centre production, visits the Everyman from 25th-28th October and features just one actor on stage for the duration of the play.

Performed by Maggie Bain, Man to Man tells the story of Ella Gericke. Sacrificing her own identity, Ella takes on the life of her recently deceased husband and is thrust into a masculine world of beer, schnapps and poker; a claustrophobic existence dominated by the fear of discovery and the changing face of authority in a volatile twentieth century Germany.

Third Rep Company Production Turns The Focus On Liverpool And Issues Facing Modern Families In The Première Of Lizzie Nunnery’s The Sum.

New writing is in the spotlight with the Everyman Company’s third production of the season. The Liverpool playwright Lizzie Nunnery’s latest play reflects the aspirations and concerns of families in the city. A powerful play with songs, The Sum is about finding the magic formula to the problems of life. The production runs at the Everyman from Saturday 5th to Saturday 20th May.

The Sum is set in Toxteth where a young mother, Eve, is struggling to make ends meet, constantly juggling the sums in her head that will keep her family fed and sheltered. Things take a turn for the worse when her husband Danny has a car accident and her own zero-hours contract goes on life support.

Jo Bywater, Gig Review. Underground Acoustic, Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Jo Bywater has been away from her own walk of life for too long, the dedication to helping others achieve their own goals, whether through collaboration or intense work ethic has not been lost in the appreciation of the adopted Merseyside singer/songwriter but it has meant that the local area has missed with much inevitable sadness Ms. Bywater’s own insightful lyrics and contribution to the acoustic scene.

Mark Pountney, Gig Review. Underground Acoustic, Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

There is an air of laid back assurance that is mixed freely and without argument the declaration of studious musical intent that comes across with great attitude whenever Mark Pountney comes to the forefront of any stage in the city. The much travelled, both in physical journeys and the cerebral voyages, musician is a man to be enlightened by, to enjoy and take in to your heart, after all, not many musicians can claim the pedigree of country background whilst having walked the walk in the fiery pit of the genre in its own backyard.

Herringbone John, Gig Review. Underground Acoustic, Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

The stage is always ready for musicians such as Herringbone John, the Blues come calling and the undisguised answer of the just and informed is always where and when and of course yes. The stage, no matter where, will give lofty inspiration and the eternal notion in the minds of those who witness such musicians, that they too can be true to themselves and hold a branch of cool slow groove to the next generation.

Maddie Stenberg, Gig Review. Underground Acoustic, Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Like many young women before her in the Liverpool area, Maddie Stenberg has dreams, it shines in her eyes and shivers with anticipation in her voice as she prepares to hit the stage, the front of the room. It is an anticipation which is sincere and raw, one that cannot and should be contained. Like many young women, the confidence oozes out of her, not in way that would be noticeable at first, not at least till you hear her sing and then the teenage cool comes rushing out and the audience, timid at first, soon understands what beats in her heart.

Associate Director Nick Bagnall Begins Everyman Tenure With A Midsummer Night’s Dream.

Everyman & Playhouse Associate Director Nick Bagnall will direct his first play for the company this spring with a dark, contemporary telling of A Midsummer Night’s Dream at the Everyman. Mr. Bagnall’s previous interpretations of Shakespeare include Henry VI Trilogy for Shakespeare’s Globe which also toured to battlefields around the country. The cast features Cynthia Erivo as Puck and Dean Nolan as Bottom, while Andrew Schofield returns to the Everyman stage for the first time in ten years. The production runs at the Hope Street venue from Saturday 21st March to Saturday 18th April.