Tag Archives: Comedy Review

Patrick Monahan: That 80s Show, Comedy Review, The Gilded Balloon, Edinburgh Festival 2016.

Liverpool Sound and Vision Rating 8.5/10

It was the decade of big hair, of shoulder pads and Dynasty, of power dressing, Dallas and sweat bands, the 80s may have been responsible for many ills that many remember but it was also a decade that for those who swam in its swirling mists with glee and possible terror will never forget.

Punt And Dennis: Ploughing On Regardless. Comedy Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 7/10

Clever comedy used to be sneered at, it would be seen by some as the preserve of a university system that was, possibly rightly, too elite for many to understand. Perhaps with the great timing that the Cosmos affords us, the only creatures on the planet that deal in time as a concept rather than just the way of marking the difference between night and day or when to mate and eat and die, the 20th Anniversary of the legendary American Bill Hicks’ passing has been more kind to this type of humour.

Alastair Clark, Comedy Review. 81 Renshaw Street, Liverpool.

Liverpool Sound and Vision Rating * * * *

At 81 Renshaw Street, local comedian and University of Liverpool graduate, Alastair Clark brought an intelligent and ambitious hour of anecdotal stand-up on the theme of the difficulties and conflicts caused by opinions.

The show itself was a stand-alone project and a pre-cursor to his future endeavours which include an upcoming hour long Edinburgh Fringe show. His future audiences can look forward to a confident dead-pan delivery of extended deconstructions of unique political and social observations. One highlight was when he took a thread of Youtube user commentators to task for their misguided and hilariously knee-jerk argument on the page of The Doors’ classic song L.A. Woman (“At this point the web site user weighs in with their view- I’m sure we can trust that to be objective.”) He is at his best here when pitting his wearied rationale against the inane vacuous nature of bad lyricism.

Stewart Lee, Comedy Review. Liverpool Philharmonic Hall.

Liverpool Sound and Vision Rating * * * * *

Stewart Lee’s latest show boasts value for money as he delivered two hours and twenty minutes of largely new material, where he takes seemingly familiar subject matter to abstract and hilarious new territory.

Eddie Izzard, Comedy Review. Echo Arena, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Eddie Izzard is one of Britain’s most loved comedians. He is also one of those exceptional people on the circuit that is loved just as much for his endeavours away from the stage as he is on it. From running marathons, to sending out a better image of the U.K. with his tolerance and acceptance of different cultures and his brave decision to come out as an action transvestite has only endeared him more to the public.

Richard Herring, Comedy Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Richard Herring is comedian whose look on life and complete honesty in his view and comedy may upset a small selection of the public but the man certainly knows how to make people laugh and judging by the cross section of society in the Epstein Theatre, he pretty much knows that Liverpool people understand him and love what he says.

The thought of the last taboo of British comedy may not be for everyone. His talented interested and intellectual approach to the thoughts of what make men and their best friend tick in his sell out show Talking C**k bordered upon the insanely genius and entertainingly superb.