Tag Archives: Carey Mulligan

Suffragette, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Carey Mulligan, Meryl Streep, Brendan Gleeson, Ben Whishaw, Helena Bonham-Carter, Anne-Marie Duff, Grace Stotter, Adrian Schiller, Natalie Press, Geoff Bell, Amanda Lawrence, Romola Garai, Finbar Lynch, Samuel West, Clive Wood, Annabelle Dowler, Simon Gifford.

Far From The Madding Crowd (2015), Film Review. Picturehouse@F.A.CT., Liverpool.

Liverpool Sound and Vision Rating 9.5/10

Cast: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Tom Sturridge, Juno Temple, Tilly Vosburgh, Mark Wingett, Dorian Lough, Sam Phillips, Bradley Hall, Hilton McRae, Jessica Barden, Harry Peacock, Victor McGuire, Jody Halse, Pauline Whitaker, Belinda Low, Leonard Szepietowski, Jon Gunn, Andrew Price, Thomas Arnold, Richard Dixon.

Inside Llewyn Davis, Film Review. FACT Cinema.

Liverpool Sound and Vision Rating 9/10

Cast: Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, Justin Timberlake, F. Murray Abraham, Stark Sands, Jeanine Serralles, Adam Driver, Ethan Phillips, Alex Karpovsky, Max Casella, Benjamin Pike.

Doctor Who, The Crimson Horror. Television Review. B.B.C.

Liverpool Sound and Vision Rating 9/10

Cast: Matt Smith, Jenna-Louise Coleman, Dame Diana Rigg, Rachael Stirling, Neve McIntosh, Cartrin Stewart, Dan Starkey, Eve de Leon Allen, Kassius Carey Johnson, Brendan Patricks, Graham Turner, Olivia Vinall, Michelle Tate, Scott Stevenson, Jack Oliver Hudson.

The Crimson Horror, the type of tale that would make readers of Victorian melodrama and penny dreadful salivates with the expectation of a reader enjoying Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde for the first time, transpose this expectation to the type of Doctor Who-lite story, add a splash of immense acting royalty from Dame Diana Rigg and her superb daughter, the incredible Rachael Stirling and it becomes not just Doctor-lite but extra-lite, no additives, no fat, just a wonderful story that was edging on the macabre  that writer Mark Gatiss obviously enjoys.